With the Empress Dowager of ChinaCarl, Katharine A. (Katharine Augusta)
History
With the Empress Dowager of China
Carl, Katharine A. (Katharine Augusta)
China -- Court and courtiers; Cixi, Empress dowager of China, 1835-1908; Empresses -- China -- Biography
The afternoon of our first steam-launch excursion, finished in Her
Majesty’s barge, there was a splendid ceremony in the chapel at
the foot of the hill crowned with the Temple of the Ten Thousand
Buddhas, to the memory of Confucius, the great Sage, whose philosophy
has directed the lives and laws of the Chinese people for nearly
twenty-five hundred years. Though a philosopher like Plato, he is
appreciated and his teachings followed by the masses, as well as
the classes, in China. He is not a religious leader but an ethical
teacher, and though many temples have been erected to his memory, they
are like Halls of Science and not temples to a divinity. There are no
images either of Confucius or the Sages in these temples. They are
classic halls, bare of all church-like ornamentation. Quotations from
the “analects,” painted on scrolls, cut into wood, and carved out of
stone, adorn the walls, not only of the interiors of the temples, but
of the courts and verandahs of the buildings. At the place where the
altar would be in a temple, there is a plain niche, painted in red
with a tablet bearing an inscription in gold, “The Seat of the Perfect
One.” On either side are similar niches, containing the tablets of four
other great Sages, among whom was Mencius. These semi-annual sacrifices
are in commemoration of Confucius as an ethical teacher, a wise
philosopher, a Sage. At this service in the Palace, the participants
and celebrants were all in full Court dress. There was an address to
the memory of the great Sage, with music and hymns; the latter were
rhythmic verses, containing some truth inculcated by the Sage. There
was an altar with a dragon table in front for offerings. There were
sacrifices, incense, and music. The altar was rich with splendid vases,
rare old bronze bowls, and incense-burners, and sweet with flowers
and fruit. On the dragon table, which stood in front, were offerings
of millet, meat, and wine. Tall cressets of open iron-work containing
huge, burning pine-knots were placed in front of the raised platform,
on which stood the altar, which was beautifully illuminated with tall
candles in square, silver candelabra. The court in front of this
temple, as well as the surrounding buildings, were hung with charming
painted lanterns.
Public-domain text, read in full here on John Shaqi.
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