Short stories; United States -- Social life and customs -- 19th century -- Fiction
He unlocked a little box at the side of my seat, collected the price of
three hours' reading at five cents an hour, and went on down the
aisle. Presently I heard the tinkle of a bell from the box which he had
unlocked. Following the example of others around me, I took from it a
sort of two-pronged fork with the tines spread in the similitude of a
chicken's wishbone. This contrivance, which was attached to the side of
the car by a cord, I proceeded to apply to my ears, as I saw the others
doing.
For the next three hours I scarcely altered my position, so completely
was I enthralled by my novel experience. Few persons can fail to have
made the observation that if the tones of the human voice did not have
a charm for us in themselves apart from the ideas they convey,
conversation to a great extent would soon be given up, so little is
the real intellectual interest of the topics with which it is chiefly
concerned. When, then, the sympathetic influence of the voice is lent to
the enhancement of matter of high intrinsic interest, it is not
strange that the attention should be enchained. A good story is highly
entertaining even when we have to get at it by the roundabout means
of spelling out the signs that stand for the words, and imagining them
uttered, and then imagining what they would mean if uttered. What, then,
shall be said of the delight of sitting at one's ease, with closed eyes,
listening to the same story poured into one's ears in the strong, sweet,
musical tones of a perfect mistress of the art of story-telling, and of
the expression and excitation by means of the voice of every emotion?
When, at the conclusion of the story, the train boy came to lock up
the box, I could not refrain from expressing my satisfaction in strong
terms. In reply he volunteered the information that next month the cars
for day trips on that line would be further fitted up with phonographic
guide-books of the country the train passed through, so connected by
clock-work with the running gear of the cars that the guide-book
would call attention to every object in the landscape, and furnish
the pertinent information--statistical, topographical, biographical,
historical, romantic, or legendary, as it might be--just at the time
the train had reached the most favorable point of view. It was believed
that this arrangement (for which, as it would work automatically and
require little attendance, being used or not, according to pleasure, by
the passenger, there would be no charge) would do much to attract travel
to the road. His explanation was interrupted by the announcement in
loud, clear, and deliberate tones, which no one could have had any
excuse for misunderstanding, that the train was now approaching the
city of my destination. As I looked around in amazement to discover what
manner of brakeman this might be whom I had understood, the train boy
said, with a grin, “That's our new phonographic annunciator.”
Public-domain text, read in full here on John Shaqi.
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