With the French in France and SalonikaDavis, Richard Harding
History
With the French in France and Salonika
Davis, Richard Harding
World War, 1914-1918 -- Personal narratives
To go back seemed the only way open. But the officer in the steel cap
dived through a slit in the iron girders, and as he disappeared,
beckoned. I followed down a well that dropped straight into the very
bowels of the earth. It was very dark, and only crosspieces of wood
offered a slippery footing. Into the darkness, with hands pressed
against the well, and with feet groping for the log steps, we tobogganed
down, down, down. We turned into a tunnel, and, by the slant of the
ground, knew we were now mounting. There was a square of sunshine, and
we walked out, and into a graveyard. It was like a dark change in a
theatre. The last scene had been the ruins of a town, a gate like those
of the Middle Ages, studded with bolts, reinforced with steel plates,
guarded by men-at-arms in steel casques, and then the dark change into a
graveyard, with grass and growing flowers, gravel walks, and hedges.
The graves were old, the monuments and urns above them moss-covered, but
one was quite new, and the cross above it said that it was the grave of
a German aviator. As they passed it the French officers saluted. We
entered a trench as straight as the letter Z. And at each twist and turn
we were covered by an eye in a steel door. An attacking party advancing
would have had as much room in which to dodge that eye as in a bath-tub.
One man with his magazine rifle could have halted a dozen. And when in
the newspapers you read that one man has captured twenty prisoners, he
probably was looking at them through the peep-hole in one of those steel
doors.
We zigzagged into a cellar, and below the threshold of some one's front
door. The trench led directly under it. The house into which the door
had opened was destroyed; possibly those who once had entered by it also
were destroyed, and it now swung in air with men crawling like rats
below it, its half-doors banging and groaning; the wind, with ghostly
fingers, opening them to no one, closing them on nothing. The trench
wriggled through a garden, and we could see flung across the narrow
strip of sky above us, the branch of an apple-tree, and with one
shoulder brushed the severed roots of the same tree. Then the trench led
outward, and we passed beneath railroad tracks, the ties reposing on
air, and supported by, instead of supporting, the iron rails.
We had been moving between garden walls, cellar walls; sometimes hidden
by ruins, sometimes diving like moles into tunnels. We remained on no
one level, or for any time continued in any one direction. It was
entirely fantastic, entirely unreal. It was like visiting a new race of
beings, who turn day into night; who, like bats, molochs, and wolves,
hide in caves and shun the sunlight.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account