With the movie makersStearns, Myron M. (Myron Morris)
General
With the movie makers
Stearns, Myron M. (Myron Morris)
Motion pictures -- Juvenile literature
Recently a widely traveled oil man was telling me of an afternoon he
spent at a trading town on the East African coast, a thousand miles or
so north of the Cape.
“I was killing the day with an old trader,” he said. “We were to set
out into the interior the next morning, and had nothing to do but amuse
ourselves until we were ready to start. We saw the posters of a movie
that was being shown, that told a story of the very town where we were.
And say! When we went in, we certainly were amused, all right!
“It was an American film, made by one of the Hollywood companies.
The heroine was washed ashore from the wreck, and regained
consciousness just in time to see a tiger ready to spring at her
from under the palm-trees at the edge of the beach. But the hero was
Johnny-on-the-spot. He was tiger-hunting himself, and dropped the beast
with a single shot. He was wearing riding-breeches, and puttees, and a
pith helmet,—sort of a cross between a motion-picture director and a
polo player.”
“What was the matter with it?” I asked, “Everything?”
“Pretty much. First place, the beach along those parts isn’t anything
like what was shown in the picture. There aren’t any palm-trees within
a thousand miles. Tigers don’t grow in that part of the world, either.
Lions, yes. But tigers, no. You have to go clear to India to get tigers.
“But that hero’s outfit was the best. In the heat, there, he’d have
died in six hours, in that outfit. My friend the old trader and I were
wearing about all that anybody ever wears in those parts—ragged old
shirts, and “shorts”—like running pants, or B. V. D.’s—and keeping
out of the sun. If you do have to go around, in the heat of the day,
the one important thing is to wear some kind of a hat or cloth that
protects the back of your neck and saves you from sunstroke. But the
movie hero was sprinting around in the middle of the day with leather
legs and a cartridge belt that would weigh at least ten pounds. Say, we
had a great laugh!”
Not long ago I was asked to look at a film, made in Austria, that
told a story of love and intrigue among the American millionaires.
The hero’s father was supposed to be a railroad king who lived in New
York City, and the girl’s mother, who also lived in New York, was a
“railroad queen” at the head of a rival organization. Each morning the
lovers, the hero and the heroine, slipped away from their homes—that
looked more like the New York Public Library or the Pennsylvania
Station than anything else except an Austrian palace—and ran down
to the railroad yards. The boy stole a regular German engine from
his father’s round-house, and the girl got its twin sister from her
mother’s shop on the other side of the city, and they each climbed
aboard and ran them outside the city until they met, on the same track,
head on. Then the lovers got down and kissed each other on both
cheeks in true American fashion (Austrian interpretation) somewhere
near Hoboken, I suppose.
Public-domain text, read in full here on John Shaqi.
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