With the movie makersStearns, Myron M. (Myron Morris)
General
With the movie makers
Stearns, Myron M. (Myron Morris)
Motion pictures -- Juvenile literature
All correct as far as the written story was concerned—but now to
get the genuine purring and mewing or scratching cat. The assistant
director couldn’t do it, because he was busy sticking with the director
and helping him in the scenes, keeping the numbers of the scenes, the
“takes” (or different shots of the same scene) and so on. The assistant
camera man also had to be on the set, holding the number-board,
reloading cameras, and all the rest. The continuity writer was making
some changes in the script. The owners were buying an automobile. The
art director, and everybody else available except the property man,
were out hunting for locations.
So the new property man must get the cat. And he had no experience.
He had plenty of time, to start with. But instead of securing a likely
candidate and trying it out, he decided that the cat of a friend of his
would do.
It wouldn’t. Friend wouldn’t let cat act. The property man only found
that out the day we wanted to have the scenes taken. If he’d been
experienced, he wouldn’t have let an “unimportant” detail wait so long.
But there was a big grocery store near the hotel where we were staying,
where they had a wonderful big tiger Tommy—tame as anything. Property
man, in a hurry, decided he would do nicely.
But he didn’t. Tommy was well-mannered enough, and friendly, in the
store, among his friends and customers and customary surroundings; but
after he had been shut up in a basket half the morning, and all jolted
up in the automobile getting out to “location” besides, he was another
Tom entirely.
He would push like an elephant to get his big striped head out of the
basket, and once his head was out the rest of him would follow it; and
once the whole of him was out he would scratch and claw until he got
clear of all hands that tried to reason with him or delay him; and once
he got clear he was on his way to somewhere else at about ninety miles
an hour.
It would have taken a mighty fast shutter, with a telescope lens behind
it, to have photographed Thomas that day. He wasn’t sitting for his
portrait.
So the property man, desperate now, because he was holding up the
whole company, tried again. This time he drew a white angora lady cat,
with a kitten five inches long to keep her from brooding on living in
a basket. She was contentment itself, and because he couldn’t waste
another day we had to use her.
Result of two days’ cat-hunting by a new property man: a
garage-mechanic hero with a beautiful mother-cat shedding long Persian
fur over him.
The cat always looked in one direction. People who watched the picture
afterward wondered why. We knew. She was looking at the kitten. To make
her shift her lovely eye we had to move the kitten.
Public-domain text, read in full here on John Shaqi.
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