With the movie makersStearns, Myron M. (Myron Morris)
General
With the movie makers
Stearns, Myron M. (Myron Morris)
Motion pictures -- Juvenile literature
Near one clearing, half a mile away, was the remnant of a miner’s cabin
only lately fallen to the ground. The old man who lived there had
buried a sack of gold-dust, and later been unable to find it again.
For years he lived on at the mountain shack; lonely after the others
had gone, searching with a lantern at night for the spot where he had
buried his fortune, until his mind was entirely gone.
From Greenhorn we dropped down to the upper Kern River valley, shut
in the hills, where we found other rough little towns of bygone
days—not yet deserted, because of the valley crops and ranges; Bodfish,
Isabella, and Kernville, all much as they were in the years of Bret
Harte, when men went mad for California gold.
And now, before comparing the early boom days of the film industry to
the rush of a newly discovered gold field, with all its roughness and
lawlessness and glamor and adventure and sudden wealth, let us imagine
ourselves, for a moment, in Bodfish, in the early days.
Gold is being panned in nearly every neighboring stream. Mostly, the
big “strikes” are being made haphazard, according to who has the best
luck. In Foaming Gulch Big Bill, the butcher from Maine, is panning out
a dozen ounces a day. From the far-away Bumpus Basin, the other side of
the range, come reports of a new bonanza, and several of the boys are
pulling up stakes and striking out for Bumpus. No one has ever heard
of Bakersfield yet; there is no such place. Nor has any one thought of
oil; much less of crops. But Buckeye Flat is already famous, because
that is where Razzer Jones, who used to run the National Barber Shop
at Altoona, has taken a fortune from the ford of Buckeye Creek. On the
other hand, the three sky-pilots, Billy Williams, Goose-eye Toney, and
Preacher Wills, have all failed even to find color in Poso Creek, and
are thinking of going back to their chosen calling once more.
Easy come, easy go. Big Bill is paying three prices for everything he
buys, and gambling away nearly all the rest of his dust at the Faro
layout in the Buckeye saloon, also far and favorably known as the
Life-Saving Station and Thirst Parlor.
It’s no unusual thing for the stage to be held up on the River Road,
and about every once in so often there’s an informal but enthusiastic
party among the buckeye-trees on Hang Man’s Hill.
Next, let us turn to the beginnings of the motion picture industry. We
find the same conditions that made possible sudden wealth and sudden
death, hold-ups and hangings in the Kern River valley, seventy-odd
years ago.
Impossible? Let us see.—First, who goes to the gold country, anyway, in
the first mad rush?
Public-domain text, read in full here on John Shaqi.
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