He had written back to his family at discreet intervals, his communications not being altogether untinctured, it is true, by considerations of a financial nature; and his sister Jane, who charged herself with the preservation of this correspondence, would have undertaken to reconstruct his route and to make a full report of his movements up to date on ten minutes' notice. She kept his letters in a large box-file that she had teased from her father at the store; and two or three times a year she overhauled her previous entries, so to speak, and added whatever new ones were necessary to bring her books down to the present day. She pleased herself, on the occasion of such reviews, with the thought that her brother's long absence was so largely and so laboriously educational. There, for example, was his winter and spring at Heidelberg, which she figured as given over to Kant and Hegel. This sojourn was attested by a photograph which showed her brother in a preposterous little round cap, as well as with a bar of sticking-plaster (not markedly philosophical, it must be confessed) upon one cheek. Again, there was his six months' stay in Paris, during which time he had dabbled in pigments at one of the studios affected by Americans. Her vouchers for this period consisted of several water-colors; they were done in a violent and slap-dash fashion, and had been inspired, apparently, by scenes in the environs of the capital. They were marked "Meudon" and "St. Cloud" and "Suresnes," with the dates; both names and dates were put where they showed up very prominently. Jane was rather overcome by these sketches on a first view, and after she had pinned them up on the walls of her bedroom (she had made no scruple over an immediate individual appropriation) she was obliged to acknowledge that you had to step back some little distance in order to "get them." Then there was his year at Milan, during which he was engaged in the cultivation of his voice at the Conservatory. "A whole year," said innocent Jane to herself; "think of Dick's staying in one place as long as that!" She made no account of the easily accessible joys of Monte Carlo, but figured him, instead, as running interminable scales at all hours of day and night, and as participating, now and then, in the chorus at the Scala, for which purpose, as he wrote her, he had had a pair of tights made to order. In another letter he sent her a pen-and-ink sketch of himself as he appeared while studying the last act of "Favorita." He explained that the large looking-glasses surrounding him were designed to give the disillusioned Fernando opportunity to see whether his facial expression was corresponding to the nature of the music he was interpreting.