Chicago (Ill.) -- Fiction; City and town life -- Fiction
"You bad girl! Well, we might just stick our noses in the picture-gallery
for a minute.
"We're almost beginners in this branch of industry," she expounded, as
she stood beside Jane in the center of the room under the coldly diffused
glare of the skylight. "In my young days it was all Bierstadt and De
Haas; there wasn't supposed to be anything beyond. But as soon as I began
to hear about Millet and the Barbizon crowd, I saw there was. Well, I set
to work, as usual. I studied and learned. I _want_ to learn. I want to
move; I want to keep right up with the times and the people. I got books
and photographs, and I went to all the galleries. I read the artists'
biographies and took in all the loan collections. Now I'm loaning, too.
Some of these things are going to the Art Institute next week--that
Daubigny, for one. It's little, but it's good; there couldn't be anything
more like him, could there?
"We haven't got any Millet yet, but that morning thing over there is a
Corot--at least, we think so. I was going to ask one of the French
commissioners about it last summer, but my nerve gave out at the last
minute. Mr. Bates bought it on his own responsibility. I let him go
ahead, for, after all, people of our position would naturally be expected
to have a Corot. I don't dare tell you what he paid for it. If I
did"--she pointed to their joint reflection in the opposite mirror--"we
should have a fretful porcupine here in no time."
"Don't, then," pleaded Jane, looking at her own reflection and clasping
her hands across her forehead; "this miserable bang gives me enough
trouble as it is."
"There's some more high art," said Mrs. Bates, with a wave of her hand
towards the opposite wall. "Carolus-Duran; fifty thousand francs; and he
wouldn't let me pick out my own costume, either. You have never seen me
on dress-parade; take a look at me now." She gathered up the tail of her
gown and modestly scuttled out of the room.
Poor dowdy Jane stood in silent awe before this sumptuous canvas, with
her long, interlaced fingers strenuously tugging at each other and her
wide eyes half popping from her head. She was as completely overpowered
and shattered as an uncouth and angular raft under the thunderous
downpour of Niagara. Presently she turned; Mrs. Bates stood peeping in
from without, her eyes all a-twinkle.
"And now," she said, "let's go up-stairs." Jane followed her, too dazed
to speak or even to smile.
Mrs. Bates hastened forward, lightfootedly. "Conservatory--_that's_
Moorish," she indicated, casually; "nothing in it but orchids and things.
Come along." Jane followed--dumbly, humbly.
Mrs. Bates paused on the lower step of her great stairway. A huge vase of
Japanese bronze flanked either newel, and a Turkish lantern depended
above her head. The bright green of a dwarf palm peeped over the
balustrade, and a tempered light strained down through the painted window
on the landing-stage.
Public-domain text, read in full here on John Shaqi.
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