Chicago (Ill.) -- Fiction; City and town life -- Fiction
There is but one other occupant of the carriage remaining--the only one,
after all, who can or could be the owner of the baggage. He is a young
man of twenty-three, and he sits with his back to the horse on a little
seat which has been let down for the occasion between the usual two; his
knees crowd one of the girls and his elbows the other. He seems
uncommonly alert and genial; he focusses brilliantly the entire attention
of the party. His little black mustache flaunts with a picturesque
upward flourish, and it is supplemented by a small tuft at the edge of
his underlip--an embellishment which overlays any slight trace of
lingering juvenility with an effect which is most knowing, experienced,
caprine, if you like, and which makes fair amends for the blanched
cheeks, wrinkled brows and haggard eyes that the years have yet to
accomplish for him. A navy-blue tie sprinkled with white interlacing
circles spreads loosely and carelessly over the lapels of his coat; and
while his clever eyes dart intelligently from one side to the other of
the crowded thoroughfare, his admiring family make their own shy
observations upon his altered physiognomy and his novel apparel--upon
his shoes and his hat particularly; they become acquainted thus with the
Florentine ideal of foot-wear, and the latest thing evolved by Paris in
the way of head-gear.
This young man has passed back through London quite unscathed. Deduce
from his costume the independence of his character and the precise slant
of his propensities.
The carriage moves on, with a halt here, a spurt there, and many a jar
and jolt between; and Truesdale Marshall throws over the shifting and
resounding panorama an eye freshened by a four years' absence and
informed by the contemplation of many strange and diverse spectacles.
Presently a hundred yards of unimpeded travel ends in a blockade of
trucks and street-cars and a smart fusillade of invective. During this
enforced stoppage the young man becomes conscious of a vast unfinished
structure that towers gauntly overhead through the darkening and
thickening air, and for which a litter of iron beams in the roadway
itself seems to promise an indefinite continuation skyward.
"Two, three, four--six, seven--nine," he says, craning his neck and
casting up his eye. Then, turning with a jocular air to the elder lady
opposite, "I don't suppose that Marshall & Belden, for instance, have got
up to nine stories yet!"
"Marshall & Belden!" she repeated. Her enunciation was strikingly
ejaculatory, and she laid an impatient and unforgiving emphasis upon the
latter name. "I don't know what will happen if your father doesn't assert
himself pretty soon."
Public-domain text, read in full here on John Shaqi.
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