Artists -- Fiction; Science fiction; Short stories
Halvorsen, walking uncertainly toward the fountain, felt something
break inside him, and a heaviness in his lungs. As he pitched forward
among the weeds, he thought he heard the chord from the lyre and didn't
care that the three-headed dog was grinning its knowing, hateful grin
down at him.
VI
When Halvorsen awoke, he supposed he was in Hell. There were the young
lovers, arms about each other's waists, solemnly looking down at him,
and the mother was placidly smoothing his brow. He stirred and felt his
left arm fall heavily.
"Ah," said the mother, "you mustn't." He felt her pick up his limp arm
and lay it across his chest. "Your poor finger!" she sighed. "Can you
talk? What happened to it?"
He could talk, weakly. "Labuerre and I," he said. "We were moving a big
block of marble with the crane--somehow the finger got under it. I
didn't notice until it was too late to shift my grip without the marble
slipping and smashing on the floor."
The boy said in a solemn, adolescent croak: "You mean you saved the
marble and lost your finger?"
"Marble," he muttered. "It's so hard to get. Labuerre was so old."
The young lovers exchanged a glance and he slept again. He was half
awake when the musician seized first one of his hands and then the
other, jabbing them with stubby fingers and bending his lion's head
close to peer at the horny callouses left by chisel and mallet.
"_Ja, ja_," the musician kept saying.
Hell goes on forever, so for an eternity he jolted and jarred, and for
an eternity he heard bickering voices: "Why he was so foolish, then?"
"A idiot he could be." "Hush, let him rest." "The children told the
story." "There only one Labuerre was." "Easy with the tubing." "Let him
rest."
Daylight dazzled his eyes.
"Why you were so foolish?" demanded a harsh voice. "The sister says I
can talk to you now, so that is what I first want to know."
He looked at the face of--not the musician; that had been delirium. But
it was a tough old face.
"_Ja_, I am mean-looking; that is settled. What did you think you were
doing without coveralls and way over your exposure time?"
"I wanted to die," said Halvorsen. There were tubes sticking in his
arms.
The crag-faced old man let out a contemptuous bellow.
"Sister!" he shouted. "Pull the plasma tubes out before more we waste.
He says he wants to die."
"Hush," said the nurse. She laid her hand on his brow again.
"Don't bother with him, Sister," the old man jeered. "He is a shrinking
little flower, too delicate for the great, rough world. He has done
nothing, he can do nothing, so he decides to make of himself a nuisance
by dying."
"You lie," said Halvorsen. "I worked. Good God, how I worked! Nobody
wanted my work. They wanted me, to wear in their buttonholes like a
flower. They were getting to me. Another year and I wouldn't have been
an artist any more."
"_Ja?_" asked the old man. "Tell me about it."
Public-domain text, read in full here on John Shaqi.
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