Artists -- Fiction; Science fiction; Short stories
Halvorsen leafed tiredly through the rest of the paper. He knew he
wouldn't get a job, and if he did he wouldn't hold it. He knew it was
a terrible thing to admit to yourself that you might starve to death
because you were bored by anything except art, but he admitted it.
It had happened often enough in the past--artists undergoing
preposterous hardships, not, as people thought, because they were
devoted to art, but because nothing else was interesting. If there
were only some impressive, sonorous word that summed up the aching,
oppressive futility that overcame him when he tried to get out of
art--only there wasn't.
He thought he could tell which of the photos in the tabloid had been
corrected by the esthetikon.
There was a shot of Jink Bitsy, who was to star in a remake of _Peter
Pan_. Her ears had been made to look not pointed but pointy, her upper
lip had been lengthened a trifle, her nose had been pugged a little and
tilted quite a lot, her freckles were cuter than cute, her brows were
innocently arched, and her lower lip and eyes were nothing less than
pornography.
There was a shot, apparently uncorrected, of the last Venus ship coming
in at La Guardia and the average-looking explorers grinning. Caption:
"Austin Malone and crew smile relief on safe arrival. Malone says Venus
colonies need men, machines. See story p. 2."
Petulantly, Halvorsen threw the paper under the table and walked
out. What had space travel to do with him? Vacations on the Moon and
expeditions to Venus and Mars were part of the deadly encroachment on
his livelihood and no more.
II
He took the subway to Passaic and walked down a long-still traffic
beltway to his studio, almost the only building alive in the slums near
the rusting railroad freightyard.
A sign that had once said "F. Labuerre, Sculptor--Portraits
and Architectural Commissions" now said "Roald Halvorsen; Art
Classes--Reasonable Fees." It was a grimy two-story frame building with
a shopfront in which were mounted some of his students' charcoal figure
studies and oil still-lifes. He lived upstairs, taught downstairs
front, and did his own work downstairs, back behind dirty, ceiling-high
drapes.
Going in, he noticed that he had forgotten to lock the door again. He
slammed it bitterly. At the noise, somebody called from behind the
drapes: "Who's that?"
"Halvorsen!" he yelled in a sudden fury. "I live here. I own this
place. Come out of there! What do you want?"
There was a fumbling at the drapes and a girl stepped between them,
shrinking from their dirt.
"Your door was open," she said firmly, "and it's a shop. I've just
been here a couple of minutes. I came to ask about classes, but I don't
think I'm interested if you're this bad-tempered."
A pupil. Pupils were never to be abused, especially not now.
Public-domain text, read in full here on John Shaqi.
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