His observations, however, have but little effect. People come straggling along, yawning from having been awakened in their first sleep, and almost all of them is hugging a bundle or parcel containing his most precious belongings. It is invariably an explosion which finally livens their gait, and they hurry into the stairway. A slight jam is thus produced. "No pushing there! Order!" cries another stentorian voice, belonging to Monsieur Vidalenc, the coal dealer. "Here! here!" echo several high pitched trebles. "_Tres bien, tres bien_. Follow in line--what's the use of crowding?" Monsieur Leddin makes another and still shriller effort, calling from above: "Be calm now. Don't get excited." "Who's excited?" "You are!" "Monsieur Leddin, you're about as fit to be a soldier as I to be an Archbishop," sneered the butcher's wife. "You'd do better to leave us alone and hold your peace." General hilarity, followed by murmurs of approval from various other females, which completely silenced Monsieur Leddin, who never reopened his mouth during the entire evening, so that one could not tell whether he was nursing his offended dignity or hiding his absolute incompetence to assume authority. Places were quickly found on two or three long wooden benches, and a few chairs provided for the purpose, some persons even spreading out blankets and camping on the floor. The raiment displayed was the typical negligee of the Parisian working class; a dark coloured woollen dressing gown, covered over with a shawl or a cape, all the attire showing evidence of having been hastily donned with no time to think of looking in the mirror. An old lantern and a kerosene lamp but dimly lighted the groups which were shrouded in deep velvety shadows. Presently a man, a man that I had never seen before, a man with a long emaciated face and dark pointed beard, rose in the background, holding a blanket draped about him by flattening his thin white hand against his breast. The whole scene seemed almost biblical, and instantly my mind evoked Rembrandt's masterpiece--the etching called 'The Hundred Florin Piece,' which depicts the crowds seated about the standing figure of our Saviour and listening to His divine words. But the spell was quickly broken when an instant later my vision coughed and called-- "Josephine, did you bring down the 'Petit Parisien,' as I told you?" Ten or fifteen minutes elapsed, and then a rather distant explosion gave us reason to believe that the enemy planes were retiring. "_Jamais de la vie_! No such luck to-night. Why we've got a good couple of hours ahead of us, just like last time. You'll see! Much better to make yourself as comfortable as possible and not lose any sleep over it." The tiny babies had scarcely waked at all, and peacefully continued to slumber on their mothers' knees, or on improvised cots made from a blanket or comforter folded to several thicknesses.