With Zola in England: A Story of ExileVizetelly, Ernest Alfred
History
With Zola in England: A Story of Exile
Vizetelly, Ernest Alfred
France -- Politics and government -- 1870-1940; Zola, Émile, 1840-1902
Nevertheless, M. Zola only abandoned his intentions with regret. In that
bright sunshiny weather there was an attractive _je ne sais quoi_ about
Wimbledon which charmed him. Not that it was in his estimation an ideal
place. The descents from the hill and the Ridgeway (though he admired the
beautiful views they afforded, stretching as far as Norwood) appalled him
from certain practical standpoints, and he was never weary of expatiating
on the pluck of the girls who cycled so boldly and gracefully from the
hill crest to the lower parts of the town. Here it may be mentioned that
M. Zola has become reconciled to the skirt as a cycling garment. Once
upon a time he was an uncompromising partisan of 'rationals' and
'bloomers,' a warm adherent of the views which Lady Harberton and her
friends uphold. But sojourn in England has changed all that--at least so
far as the English type of girl is concerned. Those who have read his
novel, 'Paris,' may remember that he therein ascribed the following
remarks to his heroine--Marie: 'Ah! there is nothing like rationals! To
think that some women are so foolish and obstinate as to wear skirts when
they cycle! . . . To think that women have a unique opportunity of
putting themselves at their ease and releasing their limbs from prison,
and yet won't do so! If they fancy they look the prettier in short
skirts, like schoolgirls, they are vastly mistaken. . . . Skirts are rank
heresy.'
Well, so far as Englishwomen are concerned, M. Zola himself has become a
heretic. 'Rationals,' he has more than once said to me of recent times,
'are not suited to the lithe and somewhat spare figure of the average
English girl. Moreover, I doubt if there is a costumier in England who
knows how to cut "rationals" properly. Such women as I have seen in
rationals in England looked to me horrible. They had not the proper
figure for the garment, and the garment itself was badly made. For
rationals to suit a woman, her figure should be of the happy medium,
neither too slim nor over-developed. Now the great bulk of your girls are
extremely slim, and appear in skirts to advantage. In cycling, moreover,
they carry themselves much better than the majority of Frenchwomen do.
They sit their machines gracefully, and the skirt, instead of being a
mere bundle of stuff, falls evenly and fittingly like a necessary
adjunct--the drapery which is needed to complete and set off the
ensemble.'
Public-domain text, read in full here on John Shaqi.
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