Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
"Well, well, I should never have believed it. Old Norpois doesn't at all
disapprove of your idea of taking up writing," my father had reported.
And as he had a certain amount of influence himself, he imagined that
there was nothing that could not be "arranged", no problem for which a
happy solution might not be found in the conversation of people who
"counted". "I shall bring him back to dinner, one of these days, from
the Commission. You must talk to him a little, and let him see what he
thinks of you. Write something good that you can shew him; he is an
intimate friend of the editor of the _Deux-Mondes_; he will get you in
there; he will arrange it all, the cunning old fox; and, upon my soul,
he seems to think that diplomacy, nowadays----!"
My happiness in the prospect of not being separated from Gilberte made
me desirous, but not capable, of writing something good which could be
shewn to M. de Norpois. After a few laboured pages, weariness made the
pen drop from my fingers; I cried with anger at the thought that I
should never have any talent, that I was not "gifted", that I could not
even take advantage of the chance that M. de Norpois's coming visit was
to offer me of spending the rest of my life in Paris. The recollection
that I was to be taken to hear Berma alone distracted me from my grief.
But just as I did not wish to see any storms except on those coasts
where they raged with most violence, so I should not have cared to hear
the great actress except in one of those classic parts in which Swann
had told me that she touched the sublime. For when it is in the hope of
making a priceless discovery that we desire to receive certain
impressions from nature or from works of art, we have certain scruples
about allowing our soul to gather, instead of these, other, inferior,
impressions, which are liable to make us form a false estimate of the
value of Beauty. Berma in _Andromaque_, in _Les Caprices de Marianne_,
in _Phèdre_, was one of those famous spectacles which my imagination
had so long desired. I should enjoy the same rapture as on the day when
in a gondola I glided to the foot of the Titian of the Frari or the
Carpaccios of San Giorgio dei Schiavoni, were I ever to hear Berma
repeat the lines beginning,
"On dit qu'un prompt départ vous éloigne de nous,
Seigneur,----"
Public-domain text, read in full here on John Shaqi.
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