Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
rubber-tired wheels gave the sound of their hooves a background of
silence from which it stood out more distinct and more explicit.
The "winter-garden", of which in those days the passer-by generally
caught a glimpse, in whatever street he might be walking, if the
drawing-room did not stand too high above the pavement, is to be seen
to-day only in photogravures in the gift-books of P. J. Stahl, where, in
contrast to the infrequent floral decorations of the Louis XVI
drawing-rooms now in fashion--a single rose or a Japanese iris in a
long-necked vase of crystal into which it would be impossible to squeeze
a second--it seems, because of the profusion of indoor plants which
people had then, and of the absolute want of style in their arrangement,
as though it must have responded in the ladies whose houses it adorned
to some living and delicious passion for botany rather than to any cold
concern for lifeless decoration. It suggested to one, only on a larger
scale, in the houses of those days, those tiny, portable hothouses laid
out on New Year's morning beneath the lighted lamp--for the children
were always too impatient to wait for daylight--among all the other New
Year's presents but the loveliest of them all, consoling them with its
real plants which they could tend as they grew for the bareness of the
winter soil; and even more than those little houses themselves, those
winter gardens were like the hot-house that the children could see there
at the same time, portrayed in a delightful book, another of their
presents, and one which, for all that it was given not to them but to
Mlle. Lili, the heroine of the story, enchanted them to such a pitch
that even now, when they are almost old men and women, they ask
themselves whether, in those fortunate years, winter was not the
loveliest of the seasons. And inside there, beyond the winter-garden,
through the various kinds of arborescence which from the street made the
lighted window appear like the glass front of one of those children's
playthings, pictured or real, the passer-by, drawing himself up on
tiptoe, would generally observe a man in a frock coat, a gardenia or a
carnation in his buttonhole, standing before a seated lady, both vaguely
outlined, like two intaglios cut in a topaz, in the depths of the
drawing-room atmosphere clouded by the samovar--then a recent
importation--with steam which may very possibly be escaping from it
still to-day, but to which, if it does, we are grown so accustomed now
that no one notices it. Mme. Swann attached great importance to her
"tea"; she thought that she shewed her originality and expressed her
charm when she said to a man, "You will find me at home any day, fairly
late; come to tea!" so that she allowed a sweet and delicate smile to
accompany the words which she pronounced with a fleeting trace of
English accent, and which her listener duly noted, bowing solemnly in
acceptance, as though the invitation had been something important and
Public-domain text, read in full here on John Shaqi.
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