chairs, snow white like her _crêpe-de-Chine_ wrapper, or of a metallic red like her samovar, they superimposed upon the decoration of the room another, a supplementary scheme of decoration, as rich, as delicate in its colouring, but one which was alive and would last for a few days only. But I was touched to find that these chrysanthemums appeared less ephemeral than, one might almost say, lasting, when I compared them with the tones, as pink, as coppery, which the setting sun so gorgeously displays amid the mists of a November afternoon, and which, after seeing them, before I had entered the house, fade from the sky, I found again inside, prolonged, transposed on to the flaming palette of the flowers. Like the fires caught and fixed by a great colourist from the impermanence of the atmosphere and the sun, so that they should enter and adorn a human dwelling, they invited me, those chrysanthemums, to put away all my sorrows and to taste with a greedy rapture during that "tea-time" the too fleeting joys of November, of which they set ablaze all around me the intimate and mystical glory. Alas, it was not in the conversations to which I must listen that I could hope to attain to that glory; they had but little in common with it. Even with Mme. Cottard, and although it was growing late, Mme. Swann would assume her most caressing manner to say: "Oh, no, it's not late, really; you mustn't look at the clock; that's not the right time; it's stopped; you can't possibly have anything else to do now, why be in such a hurry?" as she pressed a final tartlet upon the Professor's wife, who was gripping her card-case in readiness for flight.