Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
offered me other disagreeable pictures drawn from the past, as for
instance Gilberte shrugging her shoulders when her mother asked her to
stay and entertain me. But the other force, working upon the canvas of
my hopes, outlined a future far more attractively developed than this
poor past which, after all, was so restricted. For one minute in which I
saw Gilberte's sullen face, how many were there in which I planned to my
own satisfaction all the steps that she was to take towards our
reconciliation, perhaps even towards our betrothal. It is true that this
force, which my imagination was concentrating upon the future, it was
drawing, for all that, from the past. I was still in love with her whom,
it is true, I believed that I detested. But whenever anyone told me that
I was looking well, or was nicely dressed, I wished that she could have
been there to see me. I was irritated by the desire that many people
shewed about this time to ask me to their houses, and refused all their
invitations. There was a scene at home because I did not accompany my
father to an official dinner at which the Bontemps were to be present
with their niece Albertine, a young girl still hardly more than a child.
So it is that the different periods of our life overlap one another. We
scornfully decline, because of one whom we love and who will some day be
of so little account, to see another who is of no account to-day, with
whom we shall be in love to-morrow, with whom we might, perhaps, had we
consented to see her now, have fallen in love a little earlier and who
would thus have put a term to our present sufferings, bringing others,
it is true, in their place. Mine were steadily growing less. I had the
surprise of discovering in my own heart one sentiment one day, another
the next, generally inspired by some hope or some fear relative to
Gilberte. To the Gilberte whom I kept within me. I ought to have
reminded myself that the other, the real Gilberte was perhaps entirely
different from mine, knew nothing of the regrets that I ascribed to her,
was thinking probably less about me, not merely than I was thinking
about her but than I made her be thinking about me when I was closeted
alone with my fictitious Gilberte, wondering what really were her
feelings with regard to me and so imagining her attention as constantly
directed towards myself.
Public-domain text, read in full here on John Shaqi.
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