Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
by himself, to the houses of his own friends, on whom he did not care to
inflict Odette unless they had expressly asked that she should be
introduced to them) it was a new life that he had begun to lead, in
common with his wife, among a new set of people, it was quite
intelligible that, in order to estimate the importance of these new
friends and thereby the pleasure, the self-esteem that were to be
derived from entertaining them, he should have made use, as a standard
of comparison, not of the brilliant society in which he himself had
moved before his marriage but of the earlier environment of Odette. And
yet, even when one knew that it was with unfashionable officials and
their faded wives, the wallflowers of ministerial ball-rooms, that he
was now anxious to associate, it was still astonishing to hear him, who
in the old days, and even still, would so gracefully refrain from
mentioning an invitation to Twickenham or to Marlborough House, proclaim
with quite unnecessary emphasis that the wife of some Assistant
Under-Secretary for Something had returned Mme. Swann's call. It will
perhaps be objected here that what this really implied was that the
simplicity of the fashionable Swann had been nothing more than a supreme
refinement of vanity, and that, like certain other Israelites, my
parents' old friend had contrived to illustrate in turn all the stages
through which his race had passed, from the crudest and coarsest form of
snobbishness up to the highest pitch of good manners. But the chief
reason--and one which is applicable to humanity as a whole--was that our
virtues themselves are not free and floating qualities over which we
retain a permanent control and power of disposal; they come to be so
closely linked in our minds with the actions in conjunction with which
we make it our duty to practise them, that, if we are suddenly called
upon to perform some action of a different order, it takes us by
surprise, and without our supposing for a moment that it might involve
the bringing of those very same virtues into play. Swann, in his intense
consciousness of his new social surroundings, and in the pride with
which he referred to them, was like those great artists--modest or
generous by nature--who, if at the end of their career they take to
cooking or to gardening, display a childlike gratification at the
compliments that are paid to their dishes or their borders, and will not
listen to any of the criticism which they heard unmoved when it was
applied to their real achievements; or who, after giving away a canvas,
cannot conceal their annoyance if they lose a couple of francs at
dominoes.
Public-domain text, read in full here on John Shaqi.
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