Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
entirety in one enormous instant of impotent and supreme lucidity.
For the first time I began to feel that it was possible that my mother
might live without me, otherwise than for me, a separate life. She was
going to stay with my father, whose existence it may have seemed to her
that my feeble health, my nervous excitability complicated somewhat and
saddened. This separation made me all the more wretched because I told
myself that it probably marked for my mother an end of the successive
disappointments which I had caused her, of which she had never said a
word to me but which had made her realise the difficulty of our taking
our holidays together; and perhaps also the first trial of a form of
existence to which she was beginning, now, to resign herself for the
future, as the years crept on for my father and herself, an existence in
which I should see less of her, in which (a thing that not even in my
nightmares had yet been revealed to me) she would already have become
something of a stranger, a lady who might be seen going home by herself
to a house in which I should not be, asking the porter whether there was
not a letter for her from me.
I could scarcely answer the man in the station who offered to take my
bag. My mother, to comfort me, tried the methods which seemed to her
most efficacious. Thinking it to be useless to appear not to notice my
unhappiness, she gently teased me about it:
"Well, and what would Balbec church say if it knew that people pulled
long faces like that when they were going to see it? Surely this is not
the enraptured tourist Ruskin speaks of. Besides, I shall know if you
rise to the occasion, even when we are miles apart I shall still be with
my little man. You shall have a letter to-morrow from Mamma."
"My dear," said my grandmother, "I picture you like Mme. de Sévigné,
your eyes glued to the map, and never losing sight of us for an
instant."
Then Mamma sought to distract my mind, asked me what I thought of having
for dinner, drew my attention to Françoise, complimented her on a hat
and cloak which she did not recognise, in spite of their having
horrified her long ago when she first saw them, new, upon my great-aunt,
one with an immense bird towering over it, the other decorated with a
hideous pattern and jet beads. But the cloak having grown too shabby to
wear, Françoise had had it turned, exposing an "inside" of plain cloth
and quite a good colour. As for the bird, it had long since come to
grief and been thrown away. And just as it is disturbing, sometimes, to
find the effects which the most conscious artists attain only by an
effort occurring in a folk-song, on the wall of some peasant's cottage
where above the door, at the precisely right spot in the composition,
blooms a white or yellow rose--so the velvet band, the loop of ribbon
which would have delighted one in a portrait by Chardin or Whistler,
Françoise had set with a simple but unerring taste upon the hat, which
was now charming.
Public-domain text, read in full here on John Shaqi.
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