Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
And in this way he gave proof at once, in
his attitude towards me, of the majestic benevolence of the sage Mentor
and of the zealous curiosity of the young Anacharsis.
He offered me absolutely no opening to the _Revue des Deux-Mondes_, but
put a number of questions to me on what I had been doing and reading;
asked what were my own inclinations, which I heard thus spoken of for
the first time as though it might be a quite reasonable thing to obey
their promptings, whereas hitherto I had always supposed it to be my
duty to suppress them. Since they attracted me towards Literature, he
did not dissuade me from that course; on the contrary, he spoke of it
with deference, as of some venerable personage whose select circle, in
Rome or at Dresden, one remembers with pleasure, and regrets only that
one's multifarious duties in life enable one to revisit it so seldom. He
appeared to be envying me, with an almost jovial smile, the delightful
hours which, more fortunate than himself and more free, I should be able
to spend with such a Mistress. But the very terms that he employed
shewed me Literature as something entirely different from the image that
I had formed of it at Combray, and I realised that I had been doubly
right in abandoning my intention. Until now, I had reckoned only that I
had not the "gift" for writing; now M. de Norpois took from me the
ambition also. I wanted to express to him what had been my dreams;
trembling with emotion, I was painfully apprehensive that all the words
which I could utter would not be the sincerest possible equivalent of
what I had felt, what I had never yet attempted to formulate; that is to
say that my words had no clear significance. Perhaps by a professional
habit, perhaps by virtue of the calm that is acquired by every important
personage whose advice is commonly sought, and who, knowing that he will
keep the control of the conversation in his own hands, allows the other
party to fret, to struggle, to take his time; perhaps also to emphasise
the dignity of his head (Greek, according to himself, despite his
sweeping whiskers), M. de Norpois, while anything was being explained to
him, would preserve a facial immobility as absolute as if you had been
addressing some ancient and unhearing bust in a museum. Until suddenly,
falling upon you like an auctioneer's hammer, or a Delphic oracle, the
Ambassador's voice, as he replied to you, would be all the more
impressive, in that nothing in his face had allowed you to guess what
sort of impression you had made on him, or what opinion he was about to
express.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account