Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
When, that evening, after having accompanied my grandmother to her
destination and spent some hours in her friend's house, I had returned
by myself to the train, at any rate I found nothing to distress me in
the night which followed; this was because I had not to spend it in a
room the somnolence of which would have kept me awake; I was surrounded
by the soothing activity of all those movements of the train which kept
me company, offered to stay and converse with me if I could not sleep,
lulled me with their sounds which I wedded--as I had often wedded the
chime of the Combray bells--now to one rhythm now to another (hearing as
the whim took me first four level and equivalent semi-quavers, then one
semi-quaver furiously dashing against a crotchet); they neutralised the
centrifugal force of my insomnia by exercising upon it a contrary
pressure which kept me in equilibrium and on which my immobility and
presently my drowsiness felt themselves to be borne with the same sense
of refreshment that I should have had, had I been resting under the
protecting vigilance of powerful forces, on the breast of nature and of
life, had I been able for a moment to incarnate myself in a fish that
sleeps in the sea, driven unheeding by the currents and the tides, or in
an eagle outstretched upon the air, with no support but the storm.
Sunrise is a necessary concomitant of long railway journeys, just as are
hard-boiled eggs, illustrated papers, packs of cards, rivers upon which
boats strain but make no progress. At a certain moment, when I was
counting over the thoughts that had filled my mind, in the preceding
minutes, so as to discover whether I had just been asleep or not (and
when the very uncertainty which made me ask myself the question was to
furnish me with an affirmative answer), in the pale square of the
window, over a small black wood I saw some ragged clouds whose fleecy
edges were of a fixed, dead pink, not liable to change, like the colour
that dyes the wing which has grown to wear it, or the sketch upon which
the artists fancy has washed it. But I felt that, unlike them, this
colour was due neither to inertia nor to caprice but to necessity and
life. Presently there gathered behind it reserves of light. It
brightened; the sky turned to a crimson which I strove, glueing my eyes
to the window, to see more clearly, for I felt that it was related
somehow to the most intimate life of Nature, but, the course of the line
altering, the train turned, the morning scene gave place in the frame of
the window to a nocturnal village, its roofs still blue with moonlight,
its pond encrusted with the opalescent nacre of night, beneath a
firmament still powdered with all its stars, and I was lamenting the
loss of my strip of pink sky when I caught sight of it afresh, but red
this time, in the opposite window which it left at a second bend in the
line, so that I spent my time running from one window to the other to
Public-domain text, read in full here on John Shaqi.
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