Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
reassemble, to collect on a single canvas the intermittent, antipodean
fragments of my fine, scarlet, ever-changing morning, and to obtain a
comprehensive view of it and a continuous picture.
The scenery became broken, abrupt, the train stopped at a little station
between two mountains. Far down the gorge, on the edge of a hurrying
stream, one could see only a solitary watch-house, deep-planted in the
water which ran past on a level with its windows. If a person can be the
product of a soil the peculiar charm of which one distinguishes in that
person, more even than the peasant girl whom I had so desperately longed
to see appear when I wandered by myself along the Méséglise way, in
the woods of Roussainville, such a person must be the big girl whom I
now saw emerge from the house and, climbing a path lighted by the first
slanting rays of the sun, come towards the station carrying a jar of
milk. In her valley from which its congregated summits hid the rest of
the world, she could never see anyone save in these trains which stopped
for a moment only. She passed down the line of windows, offering coffee
and milk to a few awakened passengers. Purpled with the glow of morning,
her face was rosier than the sky. I felt in her presence that desire to
live which is reborn in us whenever we become conscious anew of beauty
and of happiness. We invariably forget that these are individual
qualities, and, substituting for them in our mind a conventional type at
which we arrive by striking a sort of mean amongst the different faces
that have taken our fancy, the pleasures we have known, we are left with
mere abstract images which are lifeless and dull because they are
lacking in precisely that element of novelty, different from anything we
have known, that element which is proper to beauty and to happiness. And
we deliver on life a pessimistic judgment which we suppose to be fair,
for we believed that we were taking into account when we formed it
happiness and beauty, whereas in fact we left them out and replaced them
by syntheses in which there is not a single atom of either. So it is
that a well-read man will at once begin to yawn with boredom when anyone
speaks to him of a new "good book", because he imagines a sort of
composite of all the good books that he has read and knows already,
whereas a good book is something special, something incalculable, and is
made up not of the sum of all previous masterpieces but of something
which the most thorough assimilation of every one of them would not
enable him to discover, since it exists not in their sum but beyond it.
Once he has become acquainted with this new work, the well-read man,
till then apathetic, feels his interest awaken in the reality which it
depicts. So, alien to the models of beauty which my fancy was wont to
sketch when I was by myself, this strapping girl gave me at once the
sensation of a certain happiness (the sole form, always different, in
Public-domain text, read in full here on John Shaqi.
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