Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
expression was unchanging as that on a dead man's face, and could be
modified only by my turning about to look at them in different aspects.
I said to myself: "Here I am: this is the Church of Balbec. This square,
which looks as though it were conscious of its glory, is the only place
in the world that possesses Balbec Church. All that I have seen so far
have been photographs of this Church--and of these famous Apostles, this
Virgin of the Porch, mere casts only. Now it is the Church itself, the
statue itself; these are they; they, the unique things--this is
something far greater."
It was something less, perhaps, also. As a young man on the day of an
examination or of a duel feels the question that he has been asked, the
shot that he has fired, to be a very little thing when he thinks of the
reserves of knowledge and of valour that he possesses and would like to
have displayed, so my mind, which had exalted the Virgin of the Porch
far above the reproductions that I had had before my eyes, inaccessible
by the vicissitudes which had power to threaten them, intact although
they were destroyed, ideal, endowed with universal value, was astonished
to see the statue which it had carved a thousand times, reduced now to
its own apparent form in stone, occupying, on the radius of my
outstretched arm, a place in which it had for rivals an election placard
and the point of my stick, fettered to the Square, inseparable from the
head of the main street, powerless to hide from the gaze of the Café
and of the omnibus office, receiving on its face half of that ray of the
setting sun (half, presently, in few hours' time, of the light of the
street lamp) of which the Bank building received the other half, tainted
simultaneously with that branch office of a money-lending establishment
by the smells from the pastry-cook's oven, subjected to the tyranny of
the Individual to such a point that, if I had chosen to scribble my name
upon that stone, it was she, the illustrious Virgin whom until then I
had endowed with a general existence and an intangible beauty, the
Virgin of Balbec, the unique (which meant, alas, the only one) who, on
her body coated with the same soot as defiled the neighbouring houses,
would have displayed--powerless to rid herself of them--to all the
admiring strangers come there to gaze upon her, the marks of my piece of
chalk and the letters of my name; it was she, indeed, the immortal work
of art, so long desired, whom I found, transformed, as was the church
itself, into a little old woman in stone whose height I could measure
and count her wrinkles. But time was passing; I must return to the
station, where I was to wait for my grandmother and Françoise, so that
we should all arrive at Balbec-Plage together. I reminded myself of what
I had read about Balbec, of Swann's saying: "It is exquisite; as fine as
Siena." And casting the blame for my disappointment upon various
accidental causes, such as the state of my health, my exhaustion after
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account