Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
Certain names of towns, Vezelay or Chartres, Bourges or Beauvais, serve
to indicate, by abbreviation, the principal church in those towns. This
partial acceptation, in which we are so accustomed to take the word,
comes at length--if the names in question are those of places that we do
not yet know--to fashion for us a mould of the name as a solid whole,
which from that time onwards, whenever we wish it to convey the idea of
the town--of that town which we have never seen--will impose on it, as
on a cast, the same carved outlines, in the same style of art, will make
of the town a sort of vast cathedral. It was, nevertheless, in a
railway station, above the door of a refreshment-room, that I read the
name--almost Persian in style--of Balbec. I strode buoyantly through the
station and across the avenue that led past it, I asked my way to the
beach so as to see nothing in the place but its church and the sea;
people seemed not to understand what I meant. Old Balbec,
Balbec-en-Terre, at which I had arrived, had neither beach nor harbour.
It was, most certainly, in the sea that the fishermen had found,
according to the legend, the miraculous Christ, of which a window in the
church that stood a few yards from where I now was recorded the
discovery; it was indeed from cliffs battered by the waves that had been
quarried the stone of its nave and towers. But this sea, which for those
reasons I had imagined as flowing up to die at the foot of the window,
was twelve miles away and more, at Balbec-Plage, and, rising beside its
cupola, that steeple, which, because I had read that it was itself a
rugged Norman cliff on which seeds were blown and sprouted, round which
the sea-birds wheeled, I had always pictured to myself as receiving at
its base the last drying foam of the uplifted waves, stood on a Square
from which two lines of tramway diverged, opposite a Café which bore,
written in letters of gold, the word "Billiards"; it stood out against a
background of houses with the roofs of which no upstanding mast was
blended. And the church--entering my mind with the Café, with the
passing stranger of whom I had had to ask my way, with the station to
which presently I should have to return--made part of the general whole,
seemed an accident, a by-product of this summer afternoon, in which its
mellow and distended dome against the sky was like a fruit of which the
same light that bathed the chimneys of the houses was ripening the skin,
pink, glowing, melting-soft. But I wished only to consider the eternal
significance of the carvings when I recognised the Apostles, which I had
seen in casts in the Trocadéro museum, and which on either side of the
Virgin, before the deep bay of the porch, were awaiting me as though to
do me reverence. With their benign, blunt, mild faces and bowed
shoulders they seemed to be advancing upon me with an air of welcome,
singing the Alleluia of a fine day. But it was evident that their
Public-domain text, read in full here on John Shaqi.
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