Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
My sense of loneliness was further increased a moment later: when I had
confessed to my grandmother that I did not feel well, that I thought
that we should be obliged to return to Paris, she had offered no
protest, saying merely that she was going out to buy a few things which
would be equally useful whether we left or stayed (and which, I
afterwards learned, were all for my benefit, Françoise having gone off
with certain articles which I might need); while I waited for her I had
taken a turn through the streets, packed with a crowd of people who
imparted to them a sort of indoor warmth, streets in which were still
open the hairdresser's shop and the pastry-cook's, the latter filled
with customers eating ices, opposite the statue of Duguay-Trouin. This
crowd gave me just about as much pleasure as a photograph of it in one
of the "illustrateds" might give a patient who was turning its pages in
the surgeon's waiting-room. I was astonished to find that there were
people so different from myself that this stroll through the town had
actually been recommended to me by the manager as a distraction, and
also that the torture chamber which a new place of residence is could
appear to some people a "continuous amusement", to quote the hotel
prospectus, which might, it was true, exaggerate, but was, for all that,
addressed to a whole army of clients to whose tastes it must appeal.
True, it invoked, to make them come to the Grand Hotel, Balbec, not only
the "exquisite fare" and the "fairy-like view across the Casino
gardens," but also the "ordinances of her Majesty Queen Fashion, which
no one may break with impunity, or without being taken for a Bœotian,
a charge that no well-bred man would willingly incur." The need that I
now had of my grandmother was enhanced by my fear that I had shattered
another of her illusions. She must be feeling discouraged, feeling that
if I could not stand the fatigue of this journey there was no hope that
any change of air could ever do me good. I decided to return to the
hotel and to wait for her there: the manager himself came forward and
pressed a button, and a person whose acquaintance I had not yet made,
labelled "lift" (who at that highest point in the building, which
corresponded to the lantern in a Norman church, was installed like a
photographer in his dark-room or an organist in his loft) came rushing
down towards me with the agility of a squirrel, tamed, active, caged.
Then, sliding upwards again along a steel pillar, he bore me aloft in
his train towards the dome of this temple of Mammon. On each floor, on
either side of a narrow communicating stair, opened out fanwise a range
of shadowy galleries, along one of which, carrying a bolster, a
chambermaid came past. I lent to her face, which the gathering dusk made
featureless, the mask of my most impassioned dreams of beauty, but read
in her eyes as they turned towards me the horror of my own nonentity.
Public-domain text, read in full here on John Shaqi.
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