Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
Meanwhile, to dissipate, in the course of this interminable assent, the
mortal anguish which I felt in penetrating thus in silence the mystery
of this chiaroscuro so devoid of poetry, lighted by a single vertical
line of little windows which were those of the solitary water-closet on
each landing, I addressed a few words to the young organist, artificer
of my journey and my partner in captivity, who continued to manipulate
the registers of his instrument and to finger the stops. I apologised
for taking up so much room, for giving him so much trouble, and asked
whether I was not obstructing him in the practice of an art to which, so
as to flatter the performer, I did more than display curiosity, I
confessed my strong attachment. But he vouchsafed no answer, whether
from astonishment at my words, preoccupation with what he was doing,
regard for convention, hardness of hearing, respect for holy ground,
fear of danger, slowness of understanding, or by the manager's orders.
There is perhaps nothing that gives us so strong an impression of the
reality of the external world as the difference in the positions,
relative to ourself, of even a quite unimportant person before we have
met him and after. I was the same man who had taken, that afternoon, the
little train from Balbec to the coast, I carried in my body the same
consciousness. But on that consciousness, in the place where, at six
o'clock, there had been, with the impossibility of forming any idea of
the manager, the Grand Hotel or its occupants, a vague and timorous
impatience for the moment at which I should reach my destination, were
to be found now the pustules excised from the face of the cosmopolitan
manager (he was, as a matter of fact, a naturalised Monegasque,
although--as he himself put it, for he was always using expressions
which he thought distinguished without noticing that they were
incorrect--"of Rumanian originality"), his action in ringing for the
lift, the lift-boy himself, a whole frieze of puppet-show characters
issuing from that Pandora's box which was the Grand Hotel, undeniable,
irremovable, and, like everything that is realised, sterilising. But at
least this change, which I had done nothing to bring about, proved to me
that something had happened which was external to myself--however devoid
of interest that thing might be--and I was like a traveller who, having
had the sun in his face when he started, concludes that he has been for
so many hours on the road when he finds the sun behind him. I was half
dead with exhaustion, I was burning with fever; I would gladly have gone
to bed, but I had no night-things. I should have liked at least to lie
down for a little while on the bed, but what good would that have done
me, seeing that I should not have been able to find any rest there for
that mass of sensations which is for each of us his sentient if not his
material body, and that the unfamiliar objects which encircled that
Public-domain text, read in full here on John Shaqi.
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