In the end we too formed a connexion, in spite of but through my grandmother, for she and Mme. de Villeparisis came in collision one morning in a doorway and were obliged to accost each other, not without having first exchanged gestures of surprise and hesitation, performed movements of recoil and uncertainty, and finally uttered protestations of joy and greeting, as in some of Molière's plays, where two actors who have been delivering long soliloquies from opposite sides of the stage, a few feet apart, are supposed not to have seen each other yet, and then suddenly catch sight of each other, cannot believe their eyes, break off what they are saying and finally address each other (the chorus having meanwhile kept the dialogue going) and fall into each other's arms. Mme. de Villeparisis was tactful, and made as if to leave my grandmother to herself after the first greetings, but my grandmother insisted on her staying to talk to her until luncheon, being anxious to discover how her friend managed to get her letters sent up to her earlier than we got ours, and to get such nice grilled things (for Mme. de Villeparisis, a great epicure, had the poorest opinion of the hotel kitchen which served us with meals that my grandmother, still quoting Mme. de Sévigné, described as "of a magnificence to make you die of hunger.") And the Marquise formed the habit of coming every day, until her own meal was ready, to sit down for a moment at our table in the dining-room, insisting that we should not rise from our chairs or in any way put ourselves out. At the most we would linger, as often as not, in the room after finishing our luncheon, to talk to her, at that sordid moment when the knives are left littering the tablecloth among crumpled napkins. For my own part, so as to preserve (in order that I might be able to enjoy Balbec) the idea that I was on the uttermost promontory of the earth I compelled myself to look farther afield, to notice only the sea, to seek in it the effects described by Baudelaire and to let my gaze fall upon our table only on days when there was set on it some gigantic fish, some marine monster, which unlike the knives and forks was contemporary with the primitive epochs in which the Ocean first began to teem with life, in the Cimmerians' time, a fish whose body with its numberless vertebrae, its blue veins and red, had been constructed by nature, but according to an architectural plan, like a polychrome cathedral of the deep.