Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
anxiety about her daughter? She refers to it too often to be really
sincere. She is not natural." My grandmother felt that any discussion
would be futile, and so as not to be obliged to speak of the things she
loved to a person incapable of understanding them, concealed by laying
her bag upon them the _Mémoires de Mme. de Beausergent._
Were she to encounter Françoise at the moment (which Françoise called
"the noon") when, wearing her fine cap and surrounded with every mark of
respect, she was coming downstairs to "feed with the service", Mme.
Villeparisis would stop her to ask after us. And Françoise, when
transmitting to us the Marquise's message: "She said to me, 'You'll be
sure and bid them good day,' she said," counterfeited the voice of Mme.
de Villeparisis, whose exact words she imagined herself to be quoting
textually, whereas she was really corrupting them no less than Plato
corrupts the words of Socrates or Saint John the words of Jesus.
Françoise, as was natural, was deeply touched by these attentions. Only
she did not believe my grandmother, but supposed that she must be lying
in the interest of her class (the rich always combining thus to support
one another) when she assured us that Mme. de Villeparisis had been
lovely as a young woman. It was true that of this loveliness only the
faintest trace remained, from which no one--unless he happened to be a
great deal more of an artist than Françoise--would have been able to
restore her ruined beauty. For in order to understand how beautiful an
elderly woman can once have been one must not only study but interpret
every line of her face.
"I must remember, some time, to ask her whether I'm not right, after
all, in thinking that there is some connexion with the Guermantes," said
my grandmother, to my great indignation. How could I be expected to
believe in a common origin uniting two names which had entered my
consciousness, one through the low and shameful gate of experience, the
other by the golden gate of imagination?
Public-domain text, read in full here on John Shaqi.
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