Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
placed, amid the reality that my senses could perceive, no small part of
a reality suggested, dreamed, unseizable, to give me, among those
regions through which I was passing, more than an aesthetic feeling, a
transient but exalted ambition to stay there and to live there always.
How often since then, simply because I could smell green leaves, has not
being seated on a back-seat opposite Mme. de Villeparisis, meeting the
Princesse de Luxembourg who waved a greeting to her from her own
carriage, coming back to dinner at the Grand Hotel appeared to me as one
of those indescribable happinesses which neither the present nor the
future can restore to us, which we may taste once only in a lifetime.
Often dusk would have fallen before we reached the hotel. Timidly I
would quote to Mme. de Villeparisis, pointing to the moon in the sky,
some memorable expression of Chateaubriand or Vigny or Victor Hugo:
"Shedding abroad that ancient secret of melancholy" or "Weeping like
Diana by the brink of her streams" or "The shadows nuptial, solemn and
august."
"And so you think that good, do you?" she would ask, "inspired, as you
call it. I must confess that I am always surprised to see people taking
things seriously nowadays which the friends of those gentlemen, while
doing ample justice to their merits, were the first to laugh at. People
weren't so free then with the word 'inspired' as they are now, when if
you say to a writer that he has mere talent he thinks you're insulting
him. You quote me a fine passage from M. de Chateaubriand about
moonlight. You shall see that I have my own reasons for being
refractory. M. de Chateaubriand used constantly to come to see my
father. He was quite a pleasant person when you were alone with him,
because then he was simple and amusing, but the moment he had an
audience he would begin to pose, and then he became absurd; when my
father was in the room, he pretended that he had flung his resignation
in the King's face, and that he had controlled the voting in the
Conclave, forgetting that it was my father whom he had asked to beg the
King to take him back, and that my father had heard him make the most
idiotic forecasts of the Papal election. You ought to have heard M. de
Blacas on that famous Conclave; he was a very different kind of man from
M. de Chateaubriand. As to his fine phrases about the moon, they became
part of our regular programme for entertaining our guests. Whenever
there was any moonlight about the house, if there was anyone staying
with us for the first time he would be told to take M. de Chateaubriand
for a stroll after dinner. When they came in, my father would take his
guest aside and say: 'Well, and was M. de Chateaubriand very
eloquent?'--'Oh, yes.' 'He's been talking about the moon?'--'Yes, how
did you know?'--'One moment, didn't he say----' and then my father would
quote the passage. 'He did; but how in the world . . .?'--'And he spoke
to you of the moonlight on the Roman Campagna?'--'But, my dear sir,
Public-domain text, read in full here on John Shaqi.
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