Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
"No, it is not bad; but it cannot be compared for a moment with such
positive jewels in stone as the Cathedrals of Rheims and Chartres, or
with what is to my mind the pearl among them all, the Sainte-Chapelle
here in Paris."
"But, surely, Balbec church is partly romanesque, is it not?"
"Why, yes, it is in the romanesque style, which is to say very cold and
lifeless, with no hint in it anywhere of the grace, the fantasy of the
later gothic builders, who worked their stone as if it had been so much
lace. Balbec church is well worth a visit, if you are in those parts; it
is decidedly quaint; on a wet day, when you have nothing better to do,
you might look inside; you will see the tomb of Tourville."
"Tell me, were you at the Foreign Ministry dinner last night?" asked my
father. "I couldn't go."
"No," M. de Norpois smiled, "I must confess that I renounced it for a
party of a very different sort. I was, dining with a lady whose name you
may possibly have heard, the beautiful Mme. Swann." My mother checked an
impulsive movement, for, being more rapid in perception than my father,
she used to alarm herself on his account over things which only began to
upset him a moment later. Anything unpleasant that might occur to him
was discovered first by her, just as bad news from France is always
known abroad sooner than among ourselves. But she was curious to know
what sort of people the Swanns managed to entertain, and so inquired of
M. de Norpois as to whom he had met there.
"Why, my dear lady, it is a house which (or so it struck me) is
especially attractive to gentlemen. There were several married men there
last night, but their wives were all, as it happened, unwell, and so had
not come with them," replied the Ambassador with a mordancy sheathed in
good-humour, casting on each of us a glance the gentleness and
discretion of which appeared to be tempering while in reality they
deftly intensified its malice.
Public-domain text, read in full here on John Shaqi.
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