Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
While he was uttering these words, and for a few seconds after he had
uttered them, M. de Norpois was still in the same position as anyone
else who, hearing me speak of Swann as an intelligent man, of his family
as respectable stockbrokers, of his house as a fine house, imagined that
I would speak just as readily of another man equally intelligent, of
other stockbrokers equally respectable, of another house equally fine;
it was the moment in which a sane man who is talking to a lunatic has
not yet perceived that his companion is mad. M. de Norpois knew that
there was nothing unnatural in the pleasure which one derived from
looking at pretty women, that it was a social convention, when anyone
spoke to you of a pretty woman with any fervour, to pretend to think
that he was in love with her, and to promise to further his designs. But
in saying that he would speak of me to Gilberte and her mother (which
would enable me, like an Olympian deity who has taken on the fluidity of
a breath of wind, or rather the aspect of the old greybeard whose form
Minerva borrows, to penetrate, myself, unseen, into Mme. Swann's
drawing-room, to attract her attention, to occupy her thoughts, to
arouse her gratitude for my admiration, to appear before her as the
friend of an important person, to seem to her worthy to be invited by
her in the future and to enter into the intimate life of her family),
this important person who was going to make use, in my interests, of the
great influence which he must have with Mme. Swann inspired in me
suddenly an affection so compelling that I had difficulty in restraining
myself from kissing his gentle hands, white and crumpled, which looked
as though they had been left lying too long in water. I even sketched in
the air an outline of that impulsive movement, but this I supposed that
I alone had observed. For it is difficult for any of us to calculate
exactly on what scale his words or his gestures are apparent to others.
Partly from the fear of exaggerating our own importance, and also
because we enlarge to enormous proportions the field over which the
impressions formed by other people in the course of their lives are
obliged to extend, we imagine that the accessories of our speech and
attitudes scarcely penetrate the consciousness, still less remain in the
memory of those with whom we converse. It is, we may suppose, to a
prompting of this sort that criminals yield when they "touch up" the
wording of a statement already made, thinking that the new variant
cannot be confronted with any existing version. But it is quite possible
that, even in what concerns the millennial existence of the human race,
the philosophy of the journalist, according to which everything is
destined to oblivion, is less true than a contrary philosophy which
would predict the conservation of everything. In the same newspaper in
which the moralist of the "Paris column" says to us of an event, of a
Public-domain text, read in full here on John Shaqi.
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