Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
When New Year's Day came, I first of all paid a round of family visits
with Mamma who, so as not to tire me, had planned them beforehand (with
the aid of an itinerary drawn up by my father) according to districts
rather than to degrees of kinship. But no sooner had we entered the
drawing-room of the distant cousin whose claim to being visited first
was that her house was at no distance from ours, than my mother was
horrified to see standing there, his present of _marrons glacés_ or
_déguisés_ in his hand, the bosom friend of the most sensitive of all
my uncles, to whom he would at once go and report that we had not begun
our round with him. And this uncle would certainly be hurt; he would
have thought it quite natural that we should go from the Madeleine to
the Jardin des Plantes, where he lived, before stopping at
Saint-Augustin, on our way to the Rue de l'Ecole de Médecine.
Our visits ended (my grandmother had dispensed us from the duty of
calling on her, since we were to dine there that evening), I ran all the
way to the Champs-Elysées to give to our own special stall-keeper, with
instructions to hand it over to the person who came to her several times
a week from the Swanns to buy gingerbread, the letter which, on the day
when my friend had caused me so much anxiety, I had decided to send her
at the New Year, and in which I told her that our old friendship was
vanishing with the old year, that I would forget, now, my old sorrows
and disappointments, and that, from this first day of January, it was a
new friendship that we were going to cement, one so solid that nothing
could destroy it, so wonderful that I hoped that Gilberte would go out
of her way to preserve it in all its beauty, and to warn me in time, as
I promised to warn her, should either of us detect the least sign of a
peril that might endanger it. On our way home Françoise made me stop at
the corner of the Rue Royale, before an open air stall from which she
selected for her own stock of presents photographs of Pius IX and
Raspail, while for myself I purchased one of Berma. The innumerable
admiration which that artist excited gave an air almost of poverty to
this one face that she had to respond with, unalterable and precarious
as are the garments of people who have not a "change", this face on
which she must continually expose to view only the tiny dimple upon her
upper lip, the arch of her eyebrows, a few other physical peculiarities
always the same, which, when it came to that, were at the mercy of a
burn or a blow. This face, moreover, could not in itself have seemed to
me beautiful, but it gave me the idea, and consequently the desire to
kiss it by reason of all the kisses that it must have received, for
which, from its page in the album, it seemed still to be appealing with
that coquettishly tender gaze, that artificially ingenuous smile. For
our Berma must indeed have felt for many young men those longings which
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