Bildungsromans; France -- Social life and customs -- 19th century -- Fiction; Villages -- France -- Fiction
thousand times as comprehending, have seen anything of that vision which
for no one among us (or at least I was long under the impression that
this rule admitted no exception) can be made externally visible. "It is
rather charming, don't you think," Swann continued, "that sound can give
a reflection, like water, or glass. It is curious, too, that Vinteul's
phrase now shews me only the things to which I paid no attention then.
Of my troubles, my loves of those days it recalls nothing, it has
altered all my values." "Charles, I don't think that's very polite to
me, what you're saying." "Not polite? Really, you women are superb! I
was simply trying to explain to this young man that what the music
shews--to me, at least--is not for a moment 'Free-will' or 'In Tune with
the Infinite', but shall we say old Verdurin in his frock coat in the
palm-house at the Jardin d'Acclimatation. Hundreds of times, without my
leaving this room, the little phrase has carried me off to dine with it
at Armenonville. Gad, it is less boring, anyhow, than having to go there
with Mme. de Cambremer." Mme. Swann laughed. "That is a lady who is
supposed to have been violently in love with Charles," she explained, in
the same tone in which, shortly before, when we were speaking of Vermeer
of Delft, of whose existence I had been surprised to find her conscious,
she had answered me with: "I ought to explain that M. Swann was very
much taken up with that painter at the time he was courting me. Isn't
that so, Charles dear?" "You're not to start saying things about Mme. de
Cambremer!" Swann checked her, secretly flattered. "But I'm only
repeating what I've been told. Besides, it seems that she's an extremely
clever woman; I don't know her myself. I believe she's very pushing,
which surprises me rather in a clever woman. But everyone says that she
was quite mad about you; there's no harm in repeating that." Swann
remained silent as a deaf-mute which was in a way a confirmation of what
she had said, and a proof of his own fatuity. "Since what I'm playing
reminds you of the Jardin d'Acclimatation," his wife went on, with a
playful semblance of being offended, "we might take him there some day
in the carriage, if it would amuse him. It's lovely there just now, and
you can recapture your fond impressions! Which reminds me, talking of
the Jardin d'Acclimatation, do you know, this young man thought that we
were devotedly attached to a person whom I cut, as a matter of fact,
whenever I possibly can, Mme. Blatin! I think it is rather crushing for
us, that she should be taken for a friend of ours. Just fancy, dear Dr.
Cottard, who never says a harsh word about anyone, declares that she's
positively contagious." "A frightful woman! The one thing to be said for
her is that she is exactly like Savonarola. She is the very image of
that portrait of Savonarola, by Fra Bartolomeo." This mania which Swann
had for finding likenesses to people in pictures was defensible, for
Public-domain text, read in full here on John Shaqi.
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