Within Prison Walls: being a narrative during a week of voluntary confinement in the state prison at Auburn, New York — John Shaqi
Within Prison Walls: being a narrative during a week of voluntary confinement in the state prison at Auburn, New YorkOsborne, Thomas Mott
History
Within Prison Walls: being a narrative during a week of voluntary confinement in the state prison at Auburn, New York
Osborne, Thomas Mott
Auburn Prison; Prisoners -- New York (State); Prisons -- New York (State)
The gallery boy has just passed along, filled my tin cup with water for
the night, and exchanged a few words. He says that for twenty minutes each
evening, from six-forty to seven, each man may "do what he likes" in his
cell. A cornet is the latest addition to the noise. The whole episode
impresses me as being such a mingling of the pathetic and the humorous
that I don't know whether to laugh or cry. Consider the conditions which
make twenty minutes of such a performance a boon to man!
The gallery boy evinces a desire to strike up friendly relations; he
brings me a box of matches in case I want to smoke, and offers to do
anything for me he can. I am not a smoker, but I don't like to decline his
good offices; so I stow away the matches for future reference.
* * * * *
Let me resume the thread of my story.
The officer takes me from the Doctor's office to the room where the
Bertillon measurements are taken. Here there is a fifth set of questions
to answer. I have not the slightest possible objection to giving all the
statistics the state officials want; my time is theirs, and there is no
possible hurry. I may as well get rid of a few hours, more or less, of my
"bit" in this way as in any other; so I shall not register any kick even
if I am called upon to supply fifty sets of statistics instead of only
five.
The orders of the Bertillon clerk are given perfunctorily, with the air of
one who is greatly bored by the whole performance. Naturally it is not so
novel to him as to me. I remove my coat and put on, as they are handed to
me by the assistant, a white linen shirt-bosom, a very dirty collar of the
requisite size, and a black coat and necktie. Then I am
photographed--front view and profile. The use of the peculiar apparel is,
presumably, either to make the photograph clearer, or to have all
"subjects" taken under similar conditions and looking somewhat as they do
when out of prison and in ordinary clothes.
Then my finger tips, on both hands, are carefully rolled one by one in
India ink, and impressions of them taken on cards--twice separately, and
twice all five at once. This seems to bore the clerk more than the
photographing.
Public-domain text, read in full here on John Shaqi.
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