England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Stepmothers -- Fiction
the flicker of the candles, the dash and fall of a moth now and then
flying across the lights, and the immovable figure on the sofa with its
feet tucked up, and floods of beautiful rich silk enveloping them. A
strange sense that Lady Caroline was not living at all, that it was only
the picture of a woman that was laid out on the sofa came over her. In
her nervousness she began to tremble, then felt inclined to laugh. At
last it became evident to Lottie that to speak was a necessity, to break
the spell which might otherwise stupefy her senses too.
“It is a beautiful night,” was all she managed to say; could anything be
more feeble? but Lady Caroline gave no reply. She made the usual little
movement of her eyelids, which meant an assent; indeed it was not a
remark which required reply. And the silence fell on them again as bad
as ever. The night air blew in, the moths whirled about the candles,
dashed against the globe of the lamp, dropped on the floor with fatal
infinitesimal booms of tragic downfall; and Lady Caroline lay on the
sofa, with eyes directed to vacancy, looking at nothing. Lottie, with
the roses in her hair, and so much life tingling in her, could not
endure it. She wanted to go and shake the vision on the sofa, she wanted
to cry out and make some noise or other to save herself from the spell.
At last, when she could keep silence no longer, she jumped up, throwing
over a small screen which stood near in her vehemence of action. “Shall
I sing you something, Lady Caroline?” she said.
Lady Caroline was startled by the fall of the screen. She watched till
it was picked up, actually looking at Lottie, which was some advance;
then she said, “If you please, Miss Despard,” in her calm tones. And
Lottie, half out of herself, made a dash at the grand piano, though she
knew she could not play. She struck a chord or two, trembling all over,
and began to sing. This time she did not feel the neglect or unkindness
of the way in which she was treated. It was a totally different
sensation. A touch of panic, a touch of amusement was in it. She was
afraid that she might be petrified too if she did nothing to break the
spell. But as she began to sing, with a quaver in her voice, and a
little shiver of nervous chilliness in her person, the door opened, and
voices, half discerned figures of men, life and movement, came pouring
in. Lottie came to an abrupt stop in the middle of a bar.
“This will never do,” said the suave Dean: “you make too much noise,
Rollo. You have frightened Miss Despard in the middle of her song.”
Then Rollo came forward into the light spot round the piano, looking
very pale; he was a good deal more frightened than Lottie was. Could it
be possible that she had made a false note? He was in an agony of
horror and alarm. “I--make a noise!” he said; “my dear uncle!” He looked
at her with appealing eyes full of anguish. “You were not--singing, Miss
Despard? I am sure you were not singing, only trying the piano.”
Public-domain text, read in full here on John Shaqi.
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