England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Stepmothers -- Fiction
Polly had been gazing at him during this speech, watching every movement
of his face, and as she watched her own countenance altered. She did
not even pretend to take up her work again, but leaned forward
nervously fingering the thread and the scissors on the table, and
beginning to realise the importance of the crisis. To Captain Despard it
was a delightful opportunity of displaying his importance, and there was
just enough of misty possibility in the castle of cards he was building
up to endow him with a majestic consciousness of something about to
happen. But to Polly it was a great deal more than this. It was the
crisis of something that was at least melodrama, if not tragedy, in her
life. All her hopes were suddenly quickened into almost reality, and the
change in her fortunes, which had been a distant and doubtful if
exciting chance, seemed suddenly in a moment to become real and near.
The spectacle that this afforded to the other young women in the
workroom it is almost beyond the power of words to describe. Their
bosoms throbbed. A play! plays were nothing to it. They pulled each
other’s gowns under the table. They gave each other little nods, and
looks under their eyebrows. Their elbows met in emphatic commentary. He,
absorbed in his own all-important thoughts, she looking up at him with
that rapt and pale suspense--never was anything more exciting to the
imagination of the beholders. “He won’t look at her,” one whispered;
“she’s all of a tremble,” said another; and “Lord, what _are_ they
making such a fuss about?” breathed Kate.
“Yes, it will alter our position in every way,” the Captain said,
stroking his moustache, and fixing his eyes on vacancy. Then Polly
touched his arm softly, her cheek, which had been pale, glowing crimson.
_Our_ position! the word gave her inspiration. She touched him shyly at
first to call his attention; then, with some vehemence, “Captain! that
will make----a deal easier,” she said; but what words were between
these broken bits of the sentence, or if any words came between, the
excited listeners could not make out.
“Yes,” he said with dignity. But he did not look at her. He maintained
his abstracted look, which was so very impressive. They all hung upon,
not only his lips, but every movement. As for Polly, the suspense was
more than she could bear. She was not a patient young woman, nor had she
been trained to deny herself like Ellen, or control her feelings as
women in a different sphere are obliged to do. She resumed her work for
a moment with hurried hands, trying to control her anxiety; then
suddenly threw it in a heap on the table, without even taking the
trouble to fold it tidily. She did not seem to know what she was doing,
they all thought.
“I am going home,” she said, with a hoarseness in her voice. “There is
nothing very pressing, so it won’t matter. I’ve got such a headache I
don’t know what to do with myself.”
Public-domain text, read in full here on John Shaqi.
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