England -- Social life and customs -- 19th century -- Fiction; Families -- Fiction; Stepmothers -- Fiction
“I am sure I can’t tell--why not? They are poor, I suppose, or they
would not be here; and I don’t see why she shouldn’t sing. Anyhow, Rollo
is most anxious to try. He thinks she has a wonderful voice. He is apt
to think anything wonderful which he himself has anything to do with,
you know.”
“She has a wonderful voice,” said Mr. Ashford, with more decision than
usual.
“But--pardon me if I interrupt,” cried the Signor, who had come in while
they were talking, “no method; no science. She wants training--the most
careful training. The more beautiful a voice is by nature, the more
evident is the want of education in it,” the musician added, with
meaning. He did not look at Mr. Ashford, but the reference was very
unmistakable. The Dean looked at them, and smiled as he took up his
shovel hat.
“I leave you to fight it out, Science against Nature,” he said; “as long
as you don’t forget that you are both expected this evening at the
Deanery--and to sit in judgment as well as to dine.”
“I know what my judgment will be beforehand,” said the Signor; “absolute
want of education--but plenty of material for a good teacher to work
upon.”
“And mine is all the other way,” Mr. Ashford said, with some of the
vehemence of intellectual opposition, besides a natural partisanship. “A
lovely voice, full of nature, and freshness, and expression--which you
will spoil, and render artificial, and like anybody else’s voice, if you
have your way.”
“All excellence is the production of Art,” said the Signor.
“Poeta nascitur,” said the Canon; and though the words are as well known
as any slang, they exercised a certain subduing influence upon the
musician, who was painfully aware that he himself was not educated,
except in a professional way. The two men went out together through the
door into the Great Cloister, from which they passed by an arched
passage to the Minor Cloister, where was Mr. Ashford’s house. Nothing
could be more unlike than the tall, stooping, short-sighted scholar, and
the dark keen Italianism of the Anglicised foreigner--the one man full
of perception, seeing everything within his range at a glance, the
other living in a glimmer of vague impressions, which took form but
slowly in his mind. On the subject of their present discussion, however,
Ashford had taken as distinct a view as the Signor. He had put himself
on Lottie’s side instinctively, with what we have called a natural
partisanship. She was like himself, she sang as the birds sing--and
though his own education, after a few years of St. Michael’s, had so far
progressed musically that he was as well aware of her deficiencies as
the Signor, still he felt himself bound to be her champion.
“I am not sure how far we have any right to discuss a young lady who has
never done anything to provoke animadversion,” he said, with an
old-fashioned scrupulousness, as they threaded the shady passages. “I
think it very unlikely that such a girl would ever consent to sing for
the public.”
Public-domain text, read in full here on John Shaqi.
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