English fiction -- 20th century; Short stories, English
“I arrived yesterday at daylight. I am anchored out there in the bay—off
Garden Point. I was in Dunster’s office before he had finished reading
his letters. Have you ever seen young Dunster reading his letters? I
had a glimpse of him through the open door. He holds the paper in both
hands, hunches his shoulders up to his ugly ears, and brings his long
nose and his thick lips on to it like a sucking apparatus. A commercial
monster.”
“Here we don’t consider him a monster,” said the newspaper man looking at
his visitor thoughtfully.
“Probably not. You are used to see his face and to see other faces. I
don’t know how it is that, when I come to town, the appearance of the
people in the street strike me with such force. They seem so awfully
expressive.”
“And not charming.”
“Well—no. Not as a rule. The effect is forcible without being clear. . . .
I know that you think it’s because of my solitary manner of life away
there.”
“Yes. I do think so. It is demoralising. You don’t see any one for
months at a stretch. You’re leading an unhealthy life.”
The other hardly smiled and murmured the admission that true enough it
was a good eleven months since he had been in town last.
“You see,” insisted the other. “Solitude works like a sort of poison.
And then you perceive suggestions in faces—mysterious and forcible, that
no sound man would be bothered with. Of course you do.”
Geoffrey Renouard did not tell his journalist friend that the suggestions
of his own face, the face of a friend, bothered him as much as the
others. He detected a degrading quality in the touches of age which
every day adds to a human countenance. They moved and disturbed him,
like the signs of a horrible inward travail which was frightfully
apparent to the fresh eye he had brought from his isolation in Malata,
where he had settled after five strenuous years of adventure and
exploration.
“It’s a fact,” he said, “that when I am at home in Malata I see no one
consciously. I take the plantation boys for granted.”
“Well, and we here take the people in the streets for granted. And
that’s sanity.”
The visitor said nothing to this for fear of engaging a discussion. What
he had come to seek in the editorial office was not controversy, but
information. Yet somehow he hesitated to approach the subject. Solitary
life makes a man reticent in respect of anything in the nature of gossip,
which those to whom chatting about their kind is an everyday exercise
regard as the commonest use of speech.
“You very busy?” he asked.
The Editor making red marks on a long slip of printed paper threw the
pencil down.
“No. I am done. Social paragraphs. This office is the place where
everything is known about everybody—including even a great deal of
nobodies. Queer fellows drift in and out of this room. Waifs and strays
from home, from up-country, from the Pacific. And, by the way, last time
you were here you picked up one of that sort for your assistant—didn’t
you?”
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account