English fiction -- 20th century; Short stories, English
She was tall and supple, carrying nobly on her straight body a head of a
character which to him appeared peculiar, something—well—pagan, crowned
with a great wealth of hair. He had been about to rise, but her decided
approach caused him to remain on the seat. He had not looked much at her
that evening. He had not that freedom of gaze acquired by the habit of
society and the frequent meetings with strangers. It was not shyness,
but the reserve of a man not used to the world and to the practice of
covert staring, with careless curiosity. All he had captured by his
first, keen, instantly lowered, glance was the impression that her hair
was magnificently red and her eyes very black. It was a troubling
effect, but it had been evanescent; he had forgotten it almost till very
unexpectedly he saw her coming down the terrace slow and eager, as if she
were restraining herself, and with a rhythmic upward undulation of her
whole figure. The light from an open window fell across her path, and
suddenly all that mass of arranged hair appeared incandescent, chiselled
and fluid, with the daring suggestion of a helmet of burnished copper and
the flowing lines of molten metal. It kindled in him an astonished
admiration. But he said nothing of it to his friend the Editor. Neither
did he tell him that her approach woke up in his brain the image of
love’s infinite grace and the sense of the inexhaustible joy that lives
in beauty. No! What he imparted to the Editor were no emotions, but
mere facts conveyed in a deliberate voice and in uninspired words.
“That young lady came and sat down by me. She said: ‘Are you French, Mr.
Renouard?’”
He had breathed a whiff of perfume of which he said nothing either—of
some perfume he did not know. Her voice was low and distinct. Her
shoulders and her bare arms gleamed with an extraordinary splendour, and
when she advanced her head into the light he saw the admirable contour of
the face, the straight fine nose with delicate nostrils, the exquisite
crimson brushstroke of the lips on this oval without colour. The
expression of the eyes was lost in a shadowy mysterious play of jet and
silver, stirring under the red coppery gold of the hair as though she had
been a being made of ivory and precious metals changed into living
tissue.
“. . . I told her my people were living in Canada, but that I was brought
up in England before coming out here. I can’t imagine what interest she
could have in my history.”
“And you complain of her interest?”
The accent of the all-knowing journalist seemed to jar on the Planter of
Malata.
Public-domain text, read in full here on John Shaqi.
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