Families -- Fiction; Man-woman relationships -- Fiction; New York (N.Y.) -- History -- 19th century -- Fiction
Chalender was not stubborn and dogged. He was elastic. Anybody could
bend or turn him aside, but he always came again with the backlash of a
steel rod or a whip.
The failure in Tabelee’s case only confirmed his determination.
He and his crew proceeded to level a street of buildings one by one.
As if a vast invisible plough overturned them along its furrow, they
rolled over and lay black.
RoBards seeing how the trick was done was eager to carry on the good
work. Chalender assigned to him a number of powder kegs and a wagon to
carry them, and despatched him ahead.
There was a kind of intoxication in this destruction. The fever was
catching. RoBards had a high motive, but he became in spirit once more
a boy on Hallowe’en. He had in his late youth joined the Callithumpian
Band that made New Year’s Eve a carnival of mischief. He had taken a
sign, “Coffin Warehouse,” and hung it on a doctor’s front gate. On the
Fourth of July he had fired a flintlock from his father’s front stoop
and blown the powdered scratch wig from the head of an old-fashioned
neighbor sitting in his window. He had set off spitfire crackers and
squibs under the bellies of sleepy horses.
And now he was exultant in a private Evacuation Day festivity, kicking
over buildings like a naughty young Pantagruel. A kind of grim laughter
filled his soul as he heard the thud of some vast structure, built up
by masons painfully month by month, and knocked down by him in one
noisy moment.
He so lost sight of his progress that he did not pause to see whose
shops he wrecked. In one warehouse filled with Chinese importations
he made his fuse of a bolt of silk strangely exquisite to his numbed
fingers; he had long since discarded his soppy gloves.
As he unreeled the bolt and stretched a royal path for the fire, the
silk seemed to whisper in his fingers, bewailing its use for such a
purpose. He wondered what the Celestial who spun it after the American
pattern had planned it for—a lady’s dress, no doubt. Running back to
the cellar he filled a cornucopia of Chinese paper with powder and
returned along his path, sifting the black grains over the sulphur-hued
fabric.
As he proceeded sidewise, crab-fashion, up the stairs his shoulder
struck somebody’s thighs. He saw beneath his gaze a pair of black
slippers, little ones in India rubbers. His eyes rose with him, and
widened to find at the top of the dress, a face of beauty in such wrath
that he could hardly recognize it as his wife’s.
“Patty!” he gasped, “what are you doing here, in the name of——”
“What in the same name are you doing here?” she broke in, her voice
a-croak with unwomanly ire.
“Trying to save the city.”
“What do you care about the city?” she sneered, so harsh a look in her
eyes that he lost patience and commanded:
“Get out of the way at once! I’m going to blow up this building.”
She forgot her obedience and shamed him before strangers by retorting:
“I’ll not budge! I’ve a better right than you in my father’s warehouse.”
Public-domain text, read in full here on John Shaqi.
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