Families -- Fiction; Man-woman relationships -- Fiction; New York (N.Y.) -- History -- 19th century -- Fiction
He felt that, instead of browbeating or being browbeaten by a delicate
woman, he ought to go over to Sing Sing and horsewhip Harry Chalender.
But that also had its inconveniences, and he had no stomach for adding
his own name to the list of knockabouts that accompanied the building
of the aqueduct.
For, all along the right of way, as the landholders had prophesied,
there was drunken brawling. A river of alcohol paralleled the dry bed
for the Croton. Farmers turned their homes into grog shops. Village
tavern-owners and city saloon-keepers set up shanties under the dusty
trees, whether the easily corrupted magistrates gave them licenses or
not.
Together with drink came every other form of dissipation. Gamblers and
cheap tricksters abounded, and those burly harpies strangely miscalled
“light women” came out of their overcrowded lairs in town until the
innocent countryside was one sordid bacchanal.
Whipped up with liquor and the mad eloquence it inspired, the laboring
men began to talk of their rights and wrongs and, above all, of their
right to organize. In England the first efforts of the lower classes to
combine against the upper, and form a new Jacquerie had been dealt with
sharply, but without permanent success.
The laws of the United States were strict enough, but loose talk of
democracy was undermining them, and the toilers were gaining a sense of
unity. They called themselves “Workies” with an affectionate self-pity,
and early in 1838 they achieved a turn-out (or, as they called it
recently, “a strike”) for higher wages.
This mutiny had a short life, for the hard times and the vast mobs of
unemployed made it easy for the contractors to replace the strikers,
and the magistrates were severe. The contractors caused a panic by
agreeing never on any terms to re-employ the ringleaders, and there
were soon no ringleaders. The others made haste to beg for mercy and to
resume their picks and shovels with gratitude.
One day Patty, to escape from the gloom of her parents, ordered Cuff to
hitch up the carry-all and drive her over to see the construction camp.
As she sat gossiping with Harry Chalender, who pointed out the rising
walls of masonry, a quarrel arose between two laborers in a ditch.
They bandied words like Hamlet and Laertes in the tomb of Ophelia, and
then as if the first and second gravediggers had fallen afoul, they
raised their picks and began a dreadful fencing match that set Patty to
shrieking and swooning.
Chalender was capable as any other carpet knight of prodigies of valor
so long as a lady’s eyes were upon him. He left Patty’s carriage wheel
and ran shouting commands to desist. When the battlers paid him no
heed, he was foolhardy enough to leap down between them. One pick dealt
him a glancing blow on the skull, while the other struck deep into the
sinews across his shoulder blades.
Public-domain text, read in full here on John Shaqi.
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