As Mildred was about to enter the station-house she had looked
back, hoping, for the first time in her life, that Roger Atwood
was near. The eager and reassuring wave of his hand satisfied her
that he would know the place of her imprisonment, and that he would
do for her all within his power. Again he had appeared in the hour
of misfortune and bitter humiliation. But, inspite of her heart,
she now did justice to his sturdy loyalty, and she was comforted and
sustained by the thought that not quite all the world was against
her. She also knew that he would relieve her mother and Belle from
unendurable anxiety on account of her absence, and that he would
summon Mr. Wentworth to her aid. His promise to prove her innocent
had meant nothing to her more than that he would inform and rally
all of her friends. That he could know anything that would throw
light on the evil mystery did not seem possible. She was then
too miserable and depressed to do much more than wait, in a sort
of stunned torpor, for what might next occur. Mechanically she
answered such questions as were put to her in order that a record
of the case might be made, and then was led to the cells below.
She shuddered as she saw the dimly lighted stairway, and it seemed
to her morbid fancy that she was to be thrust into a subterranean
dungeon. Such, in a certain sense, it was; for in some of the older
station-houses the cells are located in the basement. At the end
of the corridor, nearest the street, she saw several women, and,
unkempt and disgusting as these station-house tramps appeared, the
fact that some of her own sex were near was reassuring. A prison
was to her a place full of nameless horrors, for the romances she
had read in brighter days gave to it the associations of medieval
dungeons. Of the prosaic character of a modern jail she knew nothing,
and when she was placed within a bare cell, and the grated iron
door was locked upon her, the horrible desolation of her position
seemed as complete and tragic a fate as had ever overtaken the
unfortunate in the cruel past. She sat down upon the grimy wooden
bench, which was the only provision made for rest or comfort,
and the thought of spending a lonely night in such a place was
overpowering. Not that she could hope for sleep, even if there were
downy pillows instead of this unredeemed couch of plank on which
some beastly inebriate may have slept off his stupor the night
before, but she felt weak and faint, and her overtaxed physical
nature craved some support and rest.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account