"What a cynic you are to-night! You condemn all the world, and
find fault even with yourself--a rare thing in cynics, I imagine.
As a rule they are right, and the universe wrong."
"I have not found any fault with you," he said, in a tone that caused
her long eyelashes to veil the pleasure she could not wholly conceal.
"I hope the self-constraint imposed by your courtesy is not
too severe for comfort. I also understand the little fiction of
excepting present company. But I cannot help remembering that I am
a wee bit of the world and very worldly; that is, I am very fond
of the world and all its pretty follies. I like nice people much
better than savage mountains and heartless waves."
"And yet you are not what I should call a society girl, Miss Millie."
"I'm glad you think so. I've no wish to win that character.
Fashionable society seems to me like the sea, as restless and
unreasoning, always on the go, and yet never going anywhere. I know
lots of girls who go here and there and do this and that with the
monotony with which the waves roll in and out. Half the time they
act contrary to their wishes and feelings, but they imagine it the
thing to do, and they do it till they are tired and bored half to
death."
"What, then, is your ideal of life?"
Her head drooped a little lower, and the tell-tale color would come
as she replied hesitatingly, and with a slight deprecatory laugh:
"Well, I can't say I've thought it out very definitely. Plenty of
real friends seem to me better than the world's stare, even though
there's a trace of admiration in it Then, again, you men so monopolize
the world that there is not much left for us poor women to do; but
I have imagined that to create a lovely home, and to gather in it
all the beauty within one's reach, and just the people one best liked,
would be a very congenial life-work for some women. That is what
mother is doing for us, and she seems very happy and contented--much
more so than those ladies who seek their pleasures beyond their
homes. You see I use my eyes, Mr. Arnold, even if I am not antiquated
enough to be wise."
His look had grown so wistful and intent that she could not meet
it, but averted her face as she spoke. Suddenly he sprang up, and
took her hand with a pressure all too strong for the "friend" she
called him, as he said:
"Miss Millie, you are one of a thousand. Good-night."
For a few moments she sat where he left her. What did he mean?
Had she revealed her heart too plainly? His manner surely had been
unmistakable, and no woman could have doubted the language of his
eyes.
"But some constraint," she sighed, "ties his tongue."
Public-domain text, read in full here on John Shaqi.
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