This definition, "a genius without portfolio" seems to fit me to perfection. I shall take out a patent of invention for the word. But the definition does not apply to me alone. Its name is legion. Side by side with the _improductivité Slave_ goes the genius without portfolio; it is a pure product of the Slav soil. Once more I say its name is legion. I do not know another part of the world where so much ability is wasted, in which even those who bring forth something give so little, so incredibly little, in comparison with what God gave them. ROME, BABUINO, 14 January. Another letter from my aunt urging me to come. I am coming, I am coming, dear aunt, though God knows I am doing it out of love for you; otherwise I should greatly prefer to remain where I am. My father seems not well; from time to time he feels a strange numbness on the whole of his left side. At my urgent entreaties he has seen a physician, but I am quite sure the physic he received is safely stowed away in a cupboard, according to an old custom he has. Once he opened the mysterious receptacle and showed me a whole collection of bottles, pill-boxes, and powders, saying: "For mercy's sake! this would kill a strong man, let alone a sick one." Up to now, this quaint way of looking upon medicine has not done him any harm, but I am troubled about the future. Another reason for my unwillingness to go is my aunt's plan of campaign. Of course she is anxious to see me married. I do not know whether she has anything definite in view. God grant I may be wrong; but she does not deny the intention. "About an eligible _parti_ like you," she writes, "there will be at once a war of the roses, you may be sure of that." I am tired and do not wish for any war, and least of all to end it like Henry VII. by a marriage. On the other hand,--I dare not tell my aunt, but may confess it to myself,--I do not like Polish women. I am thirty-five, and like other men that live much in society, I had my sentimental passages, among others, with Polish women, and from these encounters I carried away the impression that they are the most impossible and most wearying women in the world. I do not know whether, generally speaking, they are more virtuous than their French or Italian sisters; I only know that they are more pathetic. The very remembrance of it gives me a creepy sensation. I can understand an elegy over a broken pitcher when you behold the shards for the first time; but to go on with the same pathos over a much mended pitcher, looks more like a comic opera. A pleasant role that of the listener, whom courtesy bids to take it seriously.