For who shall say whether 't was I or my sister who was borne shrieking
with fear from the theatre when the black man, "Othello," appeared on the
boards! The first clear memory of things dramatic is of an amateur
performance--alas! I have seen few others. 'T was a farce--when was an
amateur performance other? There was much play of snuff-boxes passed
punctiliously 'twixt irascible old gentlemen with coloured handkerchiefs.
Also there was dinner beforehand--my first experience of chicken and
champagne. And then there is a great break till the real theatre rises
stately and splendid, like Britannia ruling the waves--nay, Britannia
herself, or, as they call it lovingly down Shoreditch way, "the Brit."
When to my fashionable friends I have held forth on the glories and the
humours of "the Brit.," they have taken it for granted, and I have lacked
the courage or the energy to undeceive them, that my visits to this
temple of the people were expeditions of Haroun Al Raschid in the back
streets of Bagdad or adventures of Prince Florizel in Rupert Street; but
of a truth I have climbed the gallery stairs in sober boyish earnestness,
elbowed of the gods, and elbowing, and if I did not yield to the
seductions of "ginger-beer and Banbury" that filled up clamantly the
entr'actes, 't was that I had not the coppers. "Guy Fawkes" was my first
piece, in the days when the drama's "fireworks" were not epigrams, and so
the smell of the sulphur still purifies the air. All the long series of
"London successes," with their array of genius and furniture, have faded
like insubstantial pageants, but the rude vault piled with flour-barrels
for the desperado's torch is fixed as by chemic process. Consider the
preparation of the brain for that memory. What! I should actually go to a
play--that far-off wonder! "The Miller and his Men" cut in cardboard
should no longer stave off my longing for the living passion of the
theatre. 'T was a very elongated young man who took me, a young
cigar-maker fond of reciting, spouting Shakespeare from a sixpenny
edition, playing Hamlet mentally as he rolled the tobacco-leaf. There was
a halo about his head, for he was on speaking terms with the low comedian
of the "Brit.," and, I understood, was permitted upon occasion to pay for
a pint of half-and-half. Alas! all this did not avail to save him from an
early tomb. Poor worshipper of the green room, perchance thy ghost still
walks there. Or is there room in some other world for thy baffled
aspirations?
Public-domain text, read in full here on John Shaqi.
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