I ignore the pigs, but I pacify local prejudice by buying two gingerbread
sailors--a Russian and a French--shaking hands in symbolisation of the
Russo-French alliance, and I further prove myself a patriot by throwing
bright wooden balls into the mouth of a great-faced German, for which I
receive the guerdon of a paper rose and a Berlin wool monkey. I purchase
a ticket from a clown standing on a platform begirt by noisy cages, and
partake in a raffle for a live turkey; but fortunately I am spared the
task of carrying it through the Fair, and not wishing to tempt Providence
again, I content myself with trying for soap. A pack of cards is spread
round a wheel with an index: round goes the wheel, and whoever has the
card at which the index stops gets an orange, or if he likes to save up
his oranges exchanges them for a box of soap. You get four cards for two
sous, but I take all the pack. Round goes the wheel imperturbably. It
stops. Amid the breathless anxiety of the crowd I examine my cards, and
invariably find myself the fortunate possessor of the winning one. But,
by some mysterious arithmetic, which amuses the crowd, every time I win I
have to pay several sous. By such roundabout methods I ultimately arrive
at the soap. I have my portrait taken, allured by the "only a franc." My
image has a degenerate air; the photographer informs me it will not stay
unless he fixes it with enamel--which will be another franc. By the time
it is framed it has come up to six francs, and then, as I leave, the
attendant begs I will remember him! I give him the photograph, and
depart, hoping he will remember me. At the Place de la Nation the fun
grows thicker: there is a rain of confetti, and everybody comes out in
coloured spots; the switchback is busy, chairs mount and descend on
ropes, and there is a bunch of balloons; on a platform outside a booth a
showman beats a drum, the riding-master cracks his whip, and ladies of
uncertain ages and exuberant busts smile all day in evening dress; in the
neighbouring Cirque the Ball of the City of Paris is whirling noisily.
Yes, life goes on in the old, old way in the land of equality and
brotherhood; and the "red fool-fury of the Seine" is but a froth on the
surface. The "Twilight of the Peoples" is the morbid vision of a myopic
seer. With which reflection we will leave Sanity Fair.
Public-domain text, read in full here on John Shaqi.
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