I am afraid, if I pursue this investigation, I shall end by believing
that satire is simply an aesthetic satisfaction--the last luxury of the
sinful. Ridicule, we are always told, is a tremendous destructive--an
atmosphere in which nothing can live. But is it? Christianity, Kings, and
War are little the worse for the jets of mockery that have been playing
on them for two centuries. In Swift's day the wits at the coffee-houses
regarded religion as a farce that even the Augurs could not keep up any
longer without public winking; yet Diderot and the Encyclopaedia are
dead, and the bishops we have always with us! It was thought War could
not survive Voltaire's remark that a monarch picks up a parcel of men who
have nothing to do, dresses them in blue cloth at two shillings a yard,
and marches away with them to glory--but here is our Henley singing a
song of the sword, while all our novelists are looking to their weapons.
Despite Heine's sarcasm, the collection of English kings is as incomplete
as ever. A passing fad can, perhaps, be made to pass along a little
faster, but it only makes room for another. True, "Punch" killed the
craze for sunflowers and long necks; but then "Punch" invented it. It was
merely made to be destroyed brilliantly, like a Chinese cracker or a
Roman candle. Folly is older than "Punch's" jokes, and will survive them.
Snobbery and self-seeking, pettiness and stupidity, envy, hate, and all
uncharitableness, were no secret to the mummies in the British Museum.
"Unto the place whither the rivers go, thither they go again." Are there
not a hundred sayings in Ecclesiastes and Menander, in Horace and
Molière, as apt to-day as though fresh from the typewriter? One of the
learned friends to whom I proposed the thesis contended that Perseus and
Juvenal at least are out of date. But this was merely my learned friend's
ignorance. Is it not the truest piety to conclude that those things which
the ridicule of the ages cannot kill deserve their immortality--that
Kings, War, and Christianity play a part in the scheme of creation, and
that even snobbery and jobbery, folly and fraud, rouge and
respectability, and horse-racing, bounders and politicians, the
prize-ring and the marriage market, are all necessary to the fun of
Vanity Fair! They are thrown up by the flux of things for Honesty to set
his heel on. So houp-la! On with the dance! louder, ye fiddlers! faster,
O merry-go-round! Nay, not so glum, ye moralists and satirists,
philanthropists and preachers; link hands all--_ducdame, ducdame!_--and
thank the gods for keeping you in occupation. What should we do without
our fools? The question seems pat for a Silly Season correspondence.
Come, gather, fools all. Ye could not be better employed than in
answering it. For, mark, brother-satirists mine, you cannot kill the
Silly Season correspondence.
Public-domain text, read in full here on John Shaqi.
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