ancient therapeutics of the lancet, a General Election yet comforts the
patient, he takes a lease of fresh hope, the sun leaps out, the clouds
pack, the sky is blue, the grass is dew-pearled, God's in his heaven, and
all's right with the world. Even the beaten party feels that it has won a
moral victory, and confidently looks forward to victory without morality
at the next turn of the wheel. And so all these diseased humours of the
body politic pass harmlessly off.
No one but a confirmed cynic would wish to do away with all this harmless
dissipation, all the innocent fun of electioneering, the speeches,
riotings, mud-throwings, everybody happy as sandboys or mudlarks. What a
great day that was--Plancus being M. P. and I a boy in a provincial
town--when the Blues and the Reds meant broken heads, and the flowing
tide of beer, and spruce carriages with beribboned horses, and jocund
waggonettes, and bands and banners, and "hoorays," and shuttered shops,
and an outpour of citizens; a day festive, yet solemn, pregnant with
mysterious dooms and destinies, fatal, ineluctable, if victory fell to
the wrong-coloured ribbons. I remember when my father went to poll his
vote--a strange, weird article that had to be carried carefully concealed
on the person, lest the roughs of the opposition should catch a glimpse
of the tip of it and bash in the holder's head--with what awed
imagination we followed his course, as of a hero gone to storm a redoubt
or lead a forlorn hope! with what anxiety we waited at home with the
bandages! For the civil war, which our constitution foments, was less of
a sham then than now, and the polling-booths vied with the playing-fields
of Eton as the nursery of England's heroes. Ah, the brave old times! An
anaemic age languishes for want of you, and finds its solace in "bluggy"
tales. For just as politics supplies the shadow, the simulacrum of
fighting, so art supplies the shadows of life to those who lack the
substance. We herd in towns, and take the country in dashes of
water-colour framed in gilt. We marry for money, and satiate our baulked
sense of romance with concoctions from Mudie's. We lie and haggle and
cheat only the better to apprehend the subtleties of spiritual discourse
in fashionable churches, and our generous appreciation of the consummate
chivalry of the hero of melodrama is the reward we owe ourselves for the
pain it gave us to kick our wives. Practical joking is banished from
reputable circles--even Bob Sawyer is ranging himself; and so this
primitive appetite seeks its satisfaction in farcical comedies. Poetic
tragedies owe their attraction to the dominance in real life of the drab
and the unlovely, and the overstrain of the intellect in modern life
gives a peculiar flavour to the ineptitudes of Gaiety burlesque. All the
primal instincts and passions are still in us, though distorted,
exaggerated, diminished, modified, applied to different objects and
purposes.
Public-domain text, read in full here on John Shaqi.
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