human life must be a very different matter from what we poor players on
the scene imagine it; we are cutting a very different figure, not only
from that which faces us from the mirror of vanity, but from that which
is "as ithers see us." Not only, then, may our tragedy be comedy; our
comedy may be tragedy. The play of humour at least suggests these
alternatives. Life is Janus-faced, and the humourist invests his
characters with a double mask; they stand for comedy as well as for
tragedy; Don Quixote wears the buskin as well as the sock. Humour, whose
definition has always eluded analysis, may, perhaps (to attempt a
definition _currente calamo_), be that subtle flashing from one aspect to
another, that turning the coin so rapidly that one seems to see
simultaneously the face and the reverse, the pity and the humour of life,
and knows not whether to laugh or weep. Humour is, then, the simultaneous
revelation of the dual aspects of life; the synthetical fusion of
opposites; the gift of writing with a double pen, of saying two things in
one, of showing shine and shadow together. This is why the humourist has
always the gift of pathos; though the gift of pathos does not equally
imply the gift of humour. The tragic writer must always produce one-sided
work, so must the "funnyman" who were only a "funny man" and not a
humourist (though this is rarer). Each can only show one side of life at
a time; the humourist alone can show both. Great novels of romance and
adventure, great works of imagination, great poems, may be written by
persons without humour; but only the humourist can reproduce life. Milton
is great; but the poet of life is Shakespeare. Thus the whole case of
"realism" falls to the ground. There being no "facts," Zola's laborious
series is futile; it may be true to art, but it is not true to life. His
vision is incomplete, is inexhaustive; it lacks humour, and to the
scientific novelist the lack of humour is fatal. He is the one novelist
who cannot succeed without it. Leave out humour, and you may get art and
many other fine things, but you do not get the lights and shadows or the
"values" of life.
Public-domain text, read in full here on John Shaqi.
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