two, and you vote for your retired wine-dealer to prevent him going back
into business. But most of the names convey nothing to you, and give you
the sensation of a donkey between two heaps of straw, or of a straw
between two heaps of donkeys. And having thus exercised that high English
privilege, for which you would shed your blood if it were taken away, you
are content for the rest of the year to grumble at the doings of your
representatives. It does not occur to you that public duty calls upon you
to comprehend the parochial mysteries and solicit the parochial
dignities. They seem too petty for a man of any stature--a sort of small
beer for babes and sucklings.
May it not be that the voice of public duty, when it calls upon you to be
a citizen and a parishioner, calls with too piping a voice? There is no
rousing note, nothing of the resonance of a clarion call. A suggestion of
poverty and the workhouse clings to everything parochial, something of
drab and joyless. Is there no way of infusing colour into this depressing
greyness, a martial _timbre_ into this anaemic note? If we are to pay the
piper let us hear him. Let the tax-collector go his rounds at the head of
a brass band, playing patriotic airs. Let brocaded standard-bearers raise
aloft a banner with the soul-stirring insignia, "England expects every
man to pay his duty." Let the hollow roll of the drum thrill the dull
suburban street, and animate the areas of semi-detached villas. No longer
shall the devil and General Booth have all the good tunes, and the ragged
rearguard of urchins keeping time with their bare feet shall follow the
drum to the surer and saner goal of civic salvation. The music of the
streets will become a joy instead of a terror, and English performers
will find a new market. See paterfamilias prick up his ears as the
distant strains of national music impinge upon his tympanum, see his
heart heaving his shirt-front with patriotic ardour, while, with a joyous
cry "The Collectors are coming, hurrah, hurrah!" he rushes to his
cheque-book as the soldier rushes to arms. Is he not serving his country
as much as the soldier, and without pay--or even discount? Nay, why
should the idea of patriotic duty be so emphatically connected with the
shedding of blood, and all the pomp and pageantry reserved for the
profession of Destruction? Why should not the lifeboat be launched, or
the coal dug, or the drain-pipe laid, or the taxes paid, to a musical
accompaniment, and under the shadow of the national flag? Great is the
power of the Symbol: for a few inches of rag at elevenpence
three-farthings a yard (warranted not to shrink) men will give their
lives. And greater still is the power of music.
Dear to the London housemaid,
The fife of fusilier,
And to the Cockney urchin
The drum of Booth is dear;
Sweet sounds the barrel-organ
Where'er the cits parade;
But the dearest of all music
The Tax-Collectors played.
Public-domain text, read in full here on John Shaqi.
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